In this Book

The Invisible Citizens of Hong Kong: Art and Stories of Vietnamese Boatpeople

Book
Sophia Suk-Mun Law
2014
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summary
On May 3, 1975, Hong Kong received its first cohort of 3,743 Vietnamese boatpeople. The incident opened a 25-year history that belongs to a larger context of forced migration in modern social history. By researching all possible textual material available, the book provides a comprehensive review of the collective history of the Vietnamese boatpeople. Moreover, it intertwines historical archives with personal drawings created by the Vietnamese living in Hong Kong detention camps, recapping a collective memory with its human face. By interpreting and analyzing these drawings, the author demonstrates the expressive and communicative power of imagery as a form of language, and illustrates how art can tell a personal tragic story when language fails. She unfolds the stories and artworks throughout the whole book with the hope that new insights and meanings can be attained through the conscious review and re-interpretation of the past.

Table of Contents

Title Page, Copyright

Contents

pp. v-vi

Acknowledgements

pp. vii-viii

Preface

pp. ix-xii

Introduction

pp. xiii-xxii

1. The Exodus

pp. 1-18

2. Arriving in Hong Kong

pp. 19-72

3. Life in the Camps

pp. 73-104

4. Art as a Language for Unspeakable Pain

pp. 105-126

5. Surviving Trauma

pp. 127-168

6. Hope and Transcendence

pp. 169-186

Conclusion: From C.A.R.E. to this Book

pp. 187-194

Bibliography

pp. 195-212

Appendix I: General Statistics on Vietnamese Boatpeoplein Hong Kong

pp. 213-214

Appendix II: Summary of Damage of Major Typhoons and Floods: 1978–1992

pp. 215-216

Appendix III: Major Events Relevant to Vietnamese Boatpeople in Hong Kong

pp. 217-226

Appendix IV: Garden Streams & ‘Art in the Camp’ Project

pp. 227-234
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