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This collection of essays by leading critics and poets charts Robert Hayden’s growing reputation as a major writer of some of the twentieth century’s most important poems on African-American themes, including the famed “Middle Passage” and “Frederick Douglass.” The essays illuminate the themes and techniques that established Hayden as a modernist writer with affinities to T. S. Eliot, Federico Garcia Lorca, and W. B. Yeats, as well as to traditions of African-American writings that include such figures as Countee Cullen and Langston Hughes.

Robert Hayden: Essays on the Poetry is the first and only book to collect significant essays on this distinguished poet. Covering sixty years of commentary, book reviews, essays, and Hayden’s own published materials, this volume is an invaluable contribution to our understanding of the poet’s vision of experience, artistry, and influence. The book includes forty different works that examine the life and poetry of Hayden, the first African-American to serve as Consultant in Poetry to the Library of Congress (the post now called Poet Laureate) and to receive the Grand Prix de la Poesie at the First World Festival of Negro Arts, Dakar, Senegal, in 1966.

Table of Contents

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  1. Cover
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  1. Title Page, Other Works in the Series, Copyright
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  1. Contents
  2. pp. v-viii
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  1. Chronology
  2. pp. ix-xii
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  1. Introduction
  2. Laurence Goldstien, Robert Chrisman
  3. pp. 1-6
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  1. Part One: The Poet's Voice
  1. Statement on Poetics
  2. Robert Hayden
  3. p. 9
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  1. Entrances and Tableux for Josephine Baker [an unfinished draft]
  2. Robert Hayden
  3. pp. 10-12
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  1. Ballad of the True Beast
  2. Robert Hayden
  3. pp. 13-14
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  1. An Interview with Dennis Gendron
  2. Robert Hayden
  3. pp. 15-29
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  1. A Conversation with A. Poulin, Jr.
  2. Robert Hayden
  3. pp. 30-40
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  1. Three Book Reviews
  2. Robert Hayden
  3. pp. 41-44
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  1. Part Two: Reviews
  1. A New Negro Voice
  2. William Harrison
  3. pp. 47-48
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  1. Review of Heart-Shape in the Dust
  2. Gertrude Martin
  3. p. 49
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  1. Concerning a Poet and a Critic
  2. James W. Ivy
  3. p. 50
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  1. Negro Poets
  2. Selden Rodman
  3. p. 51
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  1. All for a Dollar
  2. Cedric Dover
  3. pp. 52-53
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  1. from "Four Voices in Recent American Poetry"
  2. Ralph J. Mills, Jr.
  3. pp. 54-57
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  1. from Books Noted
  2. Gwendolyn Brooks
  3. pp. 58-60
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  1. from "Three Recent Volumes"
  2. David Galler
  3. pp. 61-62
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  1. On Selected Poems
  2. James A. Emanuel
  3. pp. 63-64
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  1. Words in the Mourning Time
  2. Julius Lester
  3. pp. 65-68
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  1. "The Night-Blooming Cereus"
  2. Angela Jackson
  3. pp. 69-70
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  1. Language aganist Fear
  2. William Logan
  3. pp. 71-73
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  1. Angle of Ascent
  2. Michael S. Harper
  3. pp. 74-77
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  1. from "Poetry Chronicle"
  2. Richmond Lattimore
  3. pp. 78-79
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  1. Mean to Be Free
  2. Edward Hirsch
  3. pp. 80-84
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  1. Part Three: General Essays
  1. Robert Hayden Remembered
  2. Darwin T. Turner
  3. pp. 87-103
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  1. Every Shut-Eye Aint Asleep/ Every Good-bye Aint Gone Robert Hayden (1913-1980)
  2. Michael S. Harper
  3. pp. 104-111
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  1. On Heart-Shape in the Dust
  2. Dennis Gendron
  3. pp. 112-128
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  1. Robert Hayden: The Transition Years, 1946-1948
  2. Robert Chrisman
  3. pp. 129-154
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  1. Covenant of Timelessness and Time: Symbolism and History in Robert Hayden's Angle of Ascent
  2. Wilburn Williams, Jr.
  3. pp. 155-174
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  1. Angle of Ascent: The Poetry of Robert Hayden
  2. Lewis Turco
  3. pp. 175-193
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  1. Image and Idea in the Poetry of Robert Hayden
  2. Constance J. Post
  3. pp. 194-204
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  1. Poetry from Detroit's Black Bottom: The Tension between Belief and Ideology in the Work of Robert Hayden
  2. Melba Joyce Boyd
  3. pp. 205-215
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  1. A Man That in His Writing Was Most Wise
  2. Melba Joyce Boyd
  3. pp. 216-222
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  1. Robert Hayden: The Man in the Middle
  2. W. D. Snodgrass
  3. pp. 223-232
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  1. Theme and Variations on Robert Hayden's Poetry
  2. Harryette Mullen, Stephen Yenser
  3. pp. 233-248
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  1. Part Four: Essays on Individual Poems
  1. The "Banked Fire" of Robert Hayden's "Those WInter Sundays"
  2. David Huddle
  3. pp. 251-255
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  1. The Greatest Poem in the World ["Perseus"]
  2. Laurence Goldstein
  3. pp. 256-271
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  1. Robert Hayden's "Frederick Douglass": Form and Meaning in a Modern Sonnet
  2. Fred M. Fetrow
  3. pp. 272-277
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  1. Answering The Waste Land: Robert Hayden and the Rise of African-American Poetic Sequence
  2. Brian Conniff
  3. pp. 278-305
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  1. Changing Permanences "Historical and Literary Revisionism in Robert Hayden's "Middle Passage"
  2. Vera M. Kutzinski
  3. pp. 306-321
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  1. Shining ["Runagate Runagate"]
  2. Calvin Hernton
  3. pp. 322-327
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  1. The Eye of Faith ["Monet's 'Waterlilies'"]
  2. Anthony Walton
  3. pp. 328-331
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  1. Journey into "[American Journal]"
  2. Yusef Komunyakaa
  3. pp. 332-334
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  1. Selected Bibliography
  2. pp. 335-338
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