In this Book

summary
The “Garbage Eater” of the title poem in Brett Foster’s provocative collection is a member of a religious sect (some would say cult) in the Bay Area who lives an ascetic life eating scraps from dumpsters. Just as this simple way of life exists within the most technologically advanced region in the world, Foster’s poems are likewise animated by the constant tension between material reality and an unabashed yearning for transcendence. The titles of Foster’s poems—“Like as a ship, that through the Ocean wyde,” “Meditation in an Olive Garden,” “Little Flowers of Dan Quisenberry” —nod to the poems of the classical, medieval, and Renaissance masters he studies as a scholar. 

In Foster’s vivid imagination, however, they point to the surprises hidden in the quotidian: a trip to the DMV, a visit to a chain restaurant, and the saintly reflections of the Kansas City Royals’ best closer. A lesser, more faddish writer would then tend toward ironic distance, but Foster fearlessly raises such unfashionable subjects as joy, doubt, gratitude, and grief without losing a sly sense of humor, even (as the sample poem shows) about poetry itself. Given its ambition, The Garbage Eater hardly seems a debut work. Foster’s universal subject matter and approachable style will win fans among both the most experienced poetry readers and those easily intimidated by contemporary verse.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. 2-7
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. The Garbage Eater
  2. pp. 3-4
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  1. I
  2. pp. 5-17
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  1. Nights of Fireworks, Days of Drought
  2. pp. 7-18
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  1. Field Trip: Two Colonies
  2. pp. 8-10
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  1. Sponge Bath as Answer to the Problem of Knowledge
  2. pp. 11-22
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  1. The Little Flowers of Dan Quisenberry
  2. pp. 12-13
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  1. The Foreman at Rest
  2. pp. 14-15
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  1. Geography Lesson, 1983
  2. pp. 16-27
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  1. Passage
  2. pp. 17-21
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  1. Lyke as a ship, that through the Ocean wyde
  2. pp. 22-33
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  1. Via Negativa
  2. pp. 23-35
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  1. II
  2. pp. 25-37
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  1. An Appeal to the Ghost of Patrick Kavanagh
  2. pp. 27-38
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  1. Ten Definitions Approximating Grief
  2. pp. 28-39
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  1. Final Night, in Allston
  2. pp. 29-40
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  1. Trashy Elegy for the Queen of Shock Rock
  2. pp. 30-41
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  1. Evening When the Secret Vanished
  2. pp. 31-42
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  1. Risk
  2. pp. 32-33
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  1. The First Request of Lazarus
  2. pp. 34-36
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  1. Afternoon Pilgrims
  2. pp. 37-48
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  1. Meditation in an Olive Garden
  2. pp. 38-39
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  1. Part-Time Work at Coffee Bars
  2. pp. 40-51
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  1. No Sol in California
  2. pp. 41-42
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  1. Petition: California Avenue
  2. pp. 43-44
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  1. Parousia
  2. pp. 45-56
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  1. At the City Church of San Francisco
  2. pp. 46-47
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  1. III
  2. pp. 49-61
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  1. Devotion: For Our Bodies
  2. pp. 51-62
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  1. Papyric Fragments
  2. pp. 52-54
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  1. Aubade, with Samara
  2. pp. 55-66
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  1. Bridal Cave
  2. pp. 56-67
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  1. Sestina for One Coast
  2. pp. 57-58
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  1. New Territories
  2. pp. 59-70
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  1. A Confession Kind of, a Kind of Prayer
  2. pp. 60-61
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  1. Tea with Mr. Milton
  2. pp. 62-73
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  1. Rondeau for Plotinus
  2. pp. 63-74
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  1. To the Author of How to Be a Successful Artist
  2. pp. 64-75
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  1. From the Tarmac
  2. pp. 65-76
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  1. Intercession: For My Daughter
  2. pp. 66-77
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  1. Contrition: Midnight Message
  2. pp. 67-78
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  1. The Advent Calendar
  2. pp. 68-79
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  1. Westward, in the Fading Moments of Any One Day
  2. pp. 69-80
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  1. The Snow Day
  2. pp. 70-71
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  1. Longing, Lenten
  2. pp. 72-83
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  1. Notes
  2. pp. 73-74
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