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summary
Eloquent Body explores the juxtaposition of healing and creativity both from a personal as well as medical point of view. Dawn Garisch works as a medical doctor and a writer in equal measure and advocates dialogue between our bodies and our creative selves. Her novel Trespass was nominated for the Commonwealth Prize in Africa.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Introduction
  2. pp. xi-xvi
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  1. Part One: Talking to Myself Across the Table
  1. 1. The Science and the Poetry of the Body
  2. pp. 2-11
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  1. 2. Dancing to the Whistling
  2. pp. 12-23
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  1. 3. The Story of Our Lives
  2. pp. 24-30
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  1. 4. The Psyche Doesn't Speak English
  2. pp. 31-34
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  1. 5. The Wounded Healer
  2. pp. 35-42
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  1. Part Two: Fear: The Guardian with Two Faces
  1. 6. The Body is a Big Hook
  2. pp. 44-47
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  1. 7. The Valley of the Shadow
  2. pp. 48-59
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  1. 8. Of Detectives and Gardeners
  2. pp. 60-61
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  1. 9. On the Fear of Failure
  2. pp. 62-65
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  1. 10. Rhyme or Reason - Fear's Role in the Brain/body
  2. pp. 66-74
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  1. 11. Not Waving, but Drowning
  2. pp. 75-78
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  1. 12. Denial, Deception and Illusion
  2. pp. 79-87
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  1. 13. Physician, Heal Thyself
  2. pp. 88-96
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  1. Interlude
  2. p. 97
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  1. 14. Travels in the Eloquent Body
  2. pp. 98-118
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  1. Part Three: Tracking the Truth
  1. 15. To Trust or not to Trust
  2. pp. 120-125
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  1. 16. Instruments of Truth-finding
  2. pp. 126-128
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  1. 17. Tracking the Truth as a Scientist
  2. pp. 129-135
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  1. 18. Buying Health, Trading in Illness
  2. pp. 136-139
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  1. 19. Seeing and Believing
  2. pp. 140-144
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  1. 20. Sickness and Health
  2. pp. 145-151
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  1. 21. Truth and the Artist
  2. pp. 152-158
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  1. 22. Truth-finding Tools of the Artist
  2. pp. 159-163
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  1. 23. Sharpening the Tools
  2. pp. 164-172
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  1. Part Four: Heal Thyself
  1. 24. Non-Medicinal Ways to Loosen Torment
  2. pp. 174-179
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  1. 25. Dealing with the Inner Critic and the Daimon
  2. pp. 180-183
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  1. 26. Of Creativity, Connections and Healing
  2. pp. 184-187
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  1. 27. Image and Imagination
  2. pp. 188-194
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  1. 28. Going to Source
  2. pp. 195-197
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  1. 29. Adequate Images
  2. pp. 198-206
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  1. 30. Image and the Body
  2. pp. 207-216
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  1. 31. Working with Image
  2. pp. 217-219
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  1. 32. In Service
  2. pp. 220-223
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  1. 33. The World in a Grain of Sand
  2. pp. 224-230
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  1. 34. Living in the Crocodile's Mouth
  2. pp. 231-237
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  1. 35. Recapturing the Original Plan
  2. pp. 238-240
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  1. 36. Changing the End of the Story
  2. pp. 241-245
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  1. 37. Of Knives and Glue
  2. pp. 246-250
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  1. 38. Endings
  2. pp. 251-253
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  1. Endnotes
  2. pp. 254-264
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  1. Acknowledgements
  2. p. 265
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  1. Further Reading, Back Cover
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