In this Book

buy this book Buy This Book in Print
summary

In "Return of the Heroes," Walt Whitman refers to the casualties of the American Civil War: "the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . ." In her new poetry collection, Jude Nutter challenges Whitman's statement by exploring her own responses to war and conflict and, in a voice by turns rueful, dolorous, and imagistic, reveals why she cannot agree.

Nutter, who was born in England and grew up in Germany, has a visceral sense of history as a constant, violent companion. Drawing on a range of locales and historical moments—among them Rwanda, Sarajevo, Nagasaki, and both world wars—she replays the confrontation of personal history colliding with history as a social, political, and cultural force. In many of the poems, this confrontation is understood through the shift from childhood innocence and magical thinking to adult awareness and guilt.

Nutter responds to Whitman from another perspective as well. It was Whitman who wrote that he could live with animals because, among other things, they are placid, self-contained, and guiltless. As counterpoint, Nutter weaves a series of animal poems—a kind of personal bestiary—throughout the collection that reveals the tragedy and violence also inherent in the lives of animals. Here, as in much of Nutter's previous work, the boundaries between the animal and human worlds are permeable; the urgent voice of the poet insists we recognize that "Even from a distance, suffering / is suffering." Here is both acknowledgment and challenge: distance may be measured in terms of time, culture, or place, or it may be caused by the gap between animals and humans, but it is our responsibility to speak against atrocity and bloodshed, however voiceless we may feel.

Table of Contents

restricted access Download Full Book
  1. CONTENTS
  2. pp. ix-x
  3. restricted access
    • Download PDF Download
  1. ACKNOWLEDGMENTS
  2. pp. 12-15
  3. restricted access
    • Download PDF Download
  1. LAMB
  2. p. 1
  3. restricted access
    • Download PDF Download
  1. THE HELMET
  2. pp. 2-3
  3. restricted access
    • Download PDF Download
  1. IN THE WORLD MUSEUM
  2. pp. 4-7
  3. restricted access
    • Download PDF Download
  1. UNTITLED
  2. pp. 8-10
  3. restricted access
    • Download PDF Download
  1. GROWING UP IN BERGEN-BELSEN
  2. pp. 11-13
  3. restricted access
    • Download PDF Download
  1. HERON
  2. p. 14
  3. restricted access
    • Download PDF Download
  1. FOR THOSE HELD CAPTIVE DECADES IN DARKNESS
  2. pp. 15-17
  3. restricted access
    • Download PDF Download
  1. GROWING UP IN BERGEN-BELSEN: THE CHRYSALIS
  2. pp. 18-21
  3. restricted access
    • Download PDF Download
  1. THE CALVES
  2. pp. 22-23
  3. restricted access
    • Download PDF Download
  1. TRIPTYCH FOR MY FATHER
  2. pp. 24-26
  3. restricted access
    • Download PDF Download
  1. VIA NEGATIVA
  2. pp. 27-29
  3. restricted access
    • Download PDF Download
  1. GOATS
  2. pp. 30-32
  3. restricted access
    • Download PDF Download
  1. SELLING HONEY ON THE ROAD TO SARAJEVO
  2. pp. 33-39
  3. restricted access
    • Download PDF Download
  1. ESPENBAUM IN BERGEN-BELSEN, MAY 2007
  2. pp. 40-42
  3. restricted access
    • Download PDF Download
  1. FRAGMENTS
  2. pp. 43-47
  3. restricted access
    • Download PDF Download
  1. RAVEN
  2. p. 48
  3. restricted access
    • Download PDF Download
  1. TRIPTYCH WITH BIRDS
  2. pp. 49-52
  3. restricted access
    • Download PDF Download
  1. VISITING UNCLE PETERS GRAVE
  2. pp. 53-54
  3. restricted access
    • Download PDF Download
  1. GROWING UP IN BERGEN-BELSEN: THE FIRST KISS
  2. pp. 55-57
  3. restricted access
    • Download PDF Download
  1. THE LOVER
  2. pp. 58-59
  3. restricted access
    • Download PDF Download
  1. THE CENTREFOLD
  2. pp. 60-62
  3. restricted access
    • Download PDF Download
  1. INFIDELITY
  2. pp. 63-64
  3. restricted access
    • Download PDF Download
  1. HOW TO USE A FIELD GUIDE
  2. pp. 65-67
  3. restricted access
    • Download PDF Download
  1. DOWNY WOODPECKER
  2. p. 68
  3. restricted access
    • Download PDF Download
  1. DINNER IN THE SUBURBS
  2. pp. 69-70
  3. restricted access
    • Download PDF Download
  1. AFTER WATCHING TELEVISION I STEP OUTSIDE
  2. p. 71
  3. restricted access
    • Download PDF Download
  1. FOUR GIRLS
  2. pp. 72-73
  3. restricted access
    • Download PDF Download
  1. SKYLARKS
  2. p. 74
  3. restricted access
    • Download PDF Download
  1. LOOKING AT PHOTOGRAPHS, IMPERIAL WAR MUSEUM, LONDON
  2. pp. 75-76
  3. restricted access
    • Download PDF Download
  1. THE FIRST SUNDAY OF HUNTING SEASON
  2. pp. 77-78
  3. restricted access
    • Download PDF Download
  1. FROM THE MOUTH TO THE SOURCE
  2. pp. 79-80
  3. restricted access
    • Download PDF Download
  1. THE MAP
  2. pp. 81-83
  3. restricted access
    • Download PDF Download
  1. LOVE AND THE HANGMAN IN CROATIA
  2. pp. 84-85
  3. restricted access
    • Download PDF Download
  1. ON THE TRAIN TO LENINGRAD WITH OSIP MANDELSTAM
  2. pp. 86-87
  3. restricted access
    • Download PDF Download
  1. CAROLINA GRASSHOPPERS
  2. pp. 88-89
  3. restricted access
    • Download PDF Download
  1. THE GOOD DOCTOR IN NAGASAKI
  2. pp. 90-92
  3. restricted access
    • Download PDF Download
  1. GROWING UP IN BERGEN-BELSEN: SLEEPING WITH ANNE FRANK
  2. pp. 93-95
  3. restricted access
    • Download PDF Download
  1. THE INSECT COLLECTOR'S DEMISE
  2. pp. 96-99
  3. restricted access
    • Download PDF Download
  1. ROAD KILL
  2. pp. 100-102
  3. restricted access
    • Download PDF Download
  1. ROPES
  2. pp. 103-105
  3. restricted access
    • Download PDF Download
  1. WOLVES
  2. p. 106
  3. restricted access
    • Download PDF Download
  1. NOTES
  2. p. 107
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.