Abstract

ABSTRACT:

Building on the work of scholars who have examined how Benjamin Disraeli's Jewish roots affected his life, career, and public reception in Britain, the present article considers how these Jewish elements were understood and represented in the Hebrew culture emerging in Eretz Yisrael—from early Zionist settlement in the 1880s, through the Mandate period, to the founding of Israel in 1948 and beyond. Exploring a broad range of cultural arenas, the article traces intricate responses to Disraeli's political style and imperial vision, to his conversion and myth of Jewish racial superiority, and to his art, both as novelist and political performer. While Disraeli's proto-Zionism was celebrated in Israel, at least up to the 1950s, other elements of Disraeli's persona and thought were suppressed or treated ambivalently—often the result of ideological fault-lines. Attempting to explain these reactions, the article concludes by demonstrating how performances of "Dizzy" still echo in contemporary Israeli political culture.

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