In lieu of an abstract, here is a brief excerpt of the content:

  • from A Weaving
  • Laynie Browne (bio)

I’m your mother from then—your mother fromnow—and also—I’m not your mother. I’m futurememory—transparent escort. I don’t appear in anyone way—in disguise or not in disguise—sepal—alighted. I stand on a staircase—every inch winged—covered in eyes. [End Page 109]

As she speaks I see her molten aspect and rememberonce she asked for anger. Moment billows—drifts.Does she speak with mouth of crinolines—? Is sightoccasionally—crenelated? [End Page 110]

I descend to her—realm which first appears—myown disquiet—then vanishes.

Red thread—when held—bursts—into blossoms,clots, transfigured petals—auricles.

She says—this is happening—who—you are—embedded—separate from thought. [End Page 111]

Inset in every step—miniscule flame—draws feetdown—bright—to all beneath the surface.

Inside the center of every flame—a perfectly clearcrystal—as if placed exactly beneath—invisibly—toassure passage—through a landscape—I could nolonger recognize.

Sew guided—by underground—illumination—whensight once again was hidden. Even dreams had beenkept—from me—as protection. [End Page 112]

Laynie Browne

Laynie Browne is author of fourteen collections of poems and four books of fiction. Recent books include poems, In Garments Worn by Lindens, a novel, Periodic Companions, and a book of short fiction, The Book of Moments. Her poetry has been translated into French, Spanish, Chinese and Catalan. She edited the anthology A Forest on Many Stems: Essays on The Poet’s Novel (Nightboat, 2020). Honors include a Pew Fellowship, the National Poetry Series Award and the Contemporary Poetry Series Award. She teaches at University of Pennsylvania and at Swarthmore College.

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