Books Received

Aboriginal Writers and Popular Fiction: The Literature of Anita Heiss. By Fiannuala Morgan. Cambridge: Cambridge University Press, 2021.

Behind the Times: Virginia Woolf in Late-Victorian Contexts. By Mary Jean Corbett. Ithaca, NY: Cornell University Press, 2020.

Cautiously Hopeful: Metafeminist Practices in Canada. By Marie Carrière. Montreal and Kingston: McGill-Queen's University Press, 2020.

Contemporary Women's Post-Apocalyptic Fiction. By Susan Watkins. Palgrave Studies in Contemporary Women's Writing. London: Palgrave MacMillan, 2020.

The Ethical Vision of George Eliot. By Thomas Albrecht. Among the Victorians and Modernists. New York: Routledge, 2020.

Eukuan nin matshi-manitu innushkueu / I Am a Damn Savage; Tanite nene etutamin nitassi? / What Have You Done to My Country? By An Antane Kapesh. Translated by Sarah Henzi. Waterloo, ON: Wilfrid Laurier University Press, 2020.

The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn. By Gary Waller. Amsterdam: Amsterdam University Press, 2020.

Frankenstein: The 1818 Edition and Related Texts. By Mary Shelley. Edited by David Wootton. Indianapolis: Hackett Publishing, 2020.

From Slave Cabins to the White House: Homemade Citizenship in African American Culture. By Koritha Mitchell. Urbana: University of Illinois Press, 2020.

Githa Sowerby: Three Plays. Edited by J. Ellen Gainor. Peterborough, ON: Broadview Press, 2021.

How Women Must Write: Inventing the Russian Woman Poet. By Olga Peters Hasty. Studies in Russian Literature and Theory. Evanston, IL: Northwestern University Press, 2019.

Lyrical Strains: Liberalism and Women's Poetry in Nineteenth-Century America. By Elissa Zellinger. Chapel Hill: The University of North Carolina Press, 2020.

The Magpie and the Child. By Catriona Clutterbuck. Winston-Salem, NC: Wake Forest University Press, 2021.

Nancy Cunard, Perfect Stranger: A Critical Biography. By Jane Marcus. Clemson, SC: Clemson University Press, 2020.

New Media and the Rise of the Popular Woman Writer, 1832–1860. By Alexis Easley. Edinburgh: Edinburgh University Press, 2021.

The Novel Stage: Narrative Form from the Restoration to Jane Austen. By Marcie Frank. Lewisburg, PA: Bucknell University Press, 2020.

One Left: A Novel. By Kim Soom. Translated by Bruce and Ju-Chan Fulton. Seattle: University of Washington Press, 2020.

Pretty Good Advice: For People Who Dream Big and Work Harder. By Leslie Blodgett. Broadway, NY: Abrams Image, 2020.

Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form. Edited by Jean Wyatt and Sheldon George. New York: Taylor and Francis, 2020.

Taking Flight: Caribbean Women Writing from Abroad. By Jennifer Donahue. Caribbean Studies Series. Jackson: University Press of Mississippi, 2020.

Teaching Late-Twentieth-Century Mexicana and Chicana Writers. Edited by Elizabeth Coonrod Martínez. New York: Modern Language Association of America, 2021.

Templates for Authorship: American Women's Literary Autobiography of the 1930s. By Windy Counsell Petrie. Amherst: University of Massachusetts Press, 2021.

The Western Literary Tradition: The Hebrew Bible to John Milton. By Margaret L. King. Indianapolis: Hackett Publishing, 2020.

What a Library Means to a Woman. By Sheila Liming. Minneapolis: University of Minnesota Press, 2020.

Women's Literary Tradition and Twentieth-Century Hungarian Writers. By Anna Menyhért. Translated by Anna Bentley. Women Writers in History. Amsterdam: Brill-Rodopi, 2019.

Words of Her Own: Women Authors in Nineteenth-Century Bengal. By Maroona Murmu. Oxford: Oxford University Press, 2021.