- La Época en que Hay Olvido, and: Sleeping Animal, and: Gift
religion, confession
Life, death, god
life, nature
La Época En Que Hay Olvido
Sometimes I enter the small chambers of the God of Forgettingand take my place at his feetand kneeland bow my head.
And I say into the ground that bears both of us:I need you—now.
You have listened to the supplicationsof tyrants and dictatorsand kings
—in my lifetime alone, countless wishes.
But there is already a country renamed for its suffering,and an altar upon whichthe innocent secretlyundo the knotswith their teeth.
All I have to offer is rotting carrotsand a basil plantdying in its water.
I used to eavesdrop on the priests who moonlight as assassinsto make sure my namewas not in their diaries.
How many people have come outsidefrom their desperate invocationsand self-mutilation
to see the wonder for themselves? Is it true?Are the juncossingingin the dogwoods? [End Page 94]
Have the dancers removed their right shoes?Are they hopping aroundon both hands?
Yes, it is true. We are closing our eyes. To forecast deathwe gather with strangers,like this one womanin the mustard coatsitting on a park bench.
Her son has opened a small blue box stuffed with peanutsand he pours them into her one cupped handso a few fallfor the sparrowsand all the while
the chainsaw is singing to each of us: STAY! STAY AS LONG AS YOU LIKE!NO ONE CAN KEEP YOU!and the boy—I told you—is trying to fly.
He first lifts one wing, then lets both go. Nowwatch the little onetake off
leading his enormous dragon made of water and lightby its silver leash. See
the long liquid flock of muscleglisteningin the child's fist. [End Page 95]
Sleeping Animal
From here I can see the childrenrunning across the long field
for no other reasonthanthey are fast.
What shall I pray fortoday?
Wealth? Good looks?Youth?
In my third lifeI'm supposed to fall
into the earsof a puma
and hold my handsup inside
the caverns of its skullto touch [End Page 96]
the night songscoming in.
Oh, second life!You were not the best,
and still howlucky I was
to have no given mapbut a language
to aska sleeping animal
if its teeth achedafter the last hunt. [End Page 97]
Gift
When you holda slice
of freshly cutred melon
to my lips,I drink
as muchas I eat
And though we givethe same name
to every incarnationof this vine
the taste of this oneis specific
(for it must carrythe savory
hint of metal,the particular salt
of your forefingerand thumb)
to which I sayGive me
the whole thingthe history of it
If there is a warburied
in this giftI'll eat that too
Like most fruit [End Page 98] it holds its own
water,which once was
rain or glacieror dew extracted
and gatheredover time
after a massacreof elk
or the slowextinction of fish
Let mekiss it all back
into your tongueto say
LookI'm real
in a worldfull of figments
I didn't know griefcould cool
a fever bodybut here
you and I aretaken
in each other's mouthsbecoming
the temperatureof the sea [End Page 99]
Patrick Rosal is an interdisciplinary artist and author. He has earned fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fulbright Senior Research Program. A professor of English and founding codirector of the Institute for the Study of Global Racial Justice at Rutgers-Camden, he continues to design small-scale public-art projects through the ad hoc Institute for Contemporary Collaborative Imagining. His newest collection, The Last Thing: New and Selected Poems (Persea, 2021), is forthcoming.