Abstract

Abstract:

This object lesson analyzes graffiti by a fifteen-year-old boy, Cesare Colosimo, detained at Ellis Island immigration station in 1922. Memory forms the thread of this piece: from Cesare Colosimo's desire to be remembered, as articulated and materialized in the graffiti; to the Colosimo family's memories and keepsakes; to the Ellis Island National Museum of Immigration's shaping of a collective memory of migration.

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