References

History of Perspectives 247 REFERENCES Listed here are Perspectives of New Music publications referenced in the “History of Perspectives” interviews and articles. Bibliographic information for other cited material is provided in-text. Adorno, Theodor W. 1965–1966. “Richard Strauss.” Translated by Samuel Weber and Shierry Weber. 4/1: 14–32. Anderson, Ruth, et al. 1982. “In Response.” 20/1–2: 288–329. Babbitt, Milton. 1962. “Twelve-Tone Rhythmic Structure and the Electronic Medium.” 1/1: 49–79. ———. 1973. “Since Schoenberg.” 12/1–2: 3–28. ———. 1976. “Responses: A First Approximation.” 14/2–15/1: 3–23. Backus, John. 1962. “Die Reihe—A Scientific Explanation.” 1/1: 160– 171. Bartlett, Andrew W. 1995. “Cecil Taylor, Identity Energy, and the Avant-Garde African American Body.” 33/1–2: 274–293. Batstone, Philip Norman. 1972. “Multiple Order Functions in TwelveTone Music.” 10/2: 60–71 (Part I); 11/1: 92–111 (Part II). Benadon, Fernando. 2009. “Gridless Beats.” 47/1: 135–164. Benjamin, William E. 1974. “The Structure of Atonal Music by Allen Forte.” 13/1: 170–190. Berger, Arthur. 1963. “Problems of Pitch Organization in Stravinsky.” 2/1: 11–42. Boretz, Benjamin. 1969–1973. “Meta-Variations.” 8/1: 1–74 (“MetaVariations : Studies in the Foundations of Musical Thought (I)”); 8/2: 49–111 (“Sketch of a Musical System (Meta-Variations, Part II)”); 9/1: 23–42 (“The Construction of Musical Syntax (I)”); 9/2–10/1: 232–270 (“Musical Syntax (II)”); 11/1: 146–223 (“Meta-Variations, Part IV: Analytic Fallout (I)”); 11/2: 156–203 (“Meta-Variations, Part IV: Analytic Fallout (II)”). ———. 1977. “What Lingers on (, When the Song is Ended).” 16/1: 102–109. 248 History of Perspectives ———. 1979. “Language ,as a Music.” 17/2: 131–195. ———. 1981–1982. “If I Am a Musical Thinker.” 20/1–2: 465–517. Boykan, Martin. 1967. “String Quartet.” Score. 11/2: 210–248. Brody, Martin. 1977. “Sensibility Defined: Set Projection in Stefan Wolpe’s FORM for piano.” 15/2: 3–22. Burt, Warren. 2010. “The Wilson Installations.” 48/1: 93–135. Colannino, Justin, Francisco Gómez, and Godfried T. Toussaint. 2009. “Analysis of Emergent Beat-Class Sets in Steve Reich’s Clapping Music and the Yoruba Bell Timeline.” 47/1: 111–134. Cone, Edward T. 1965. “A Budding Grove.” 3/2: 38–46. ———. 1967. “Beyond Analysis.” 6/1: 33–51. Coppock, Jane. 1975. “Ideas for a Schoenberg Piece.” 14/1: 3–85. Cusick, Suzanne G., Marion A. Guck, Marianne Kielian-Gilbert and Susan McClary. 1994. “Towards a Feminist Music Theory.” 32/1: 6–85. Dallapiccola, Luigi. 2000. “Notes for an Analysis of the Canti di Liberazione.” Translated by F. Chloe Stodt. 38/1: 5–24. Dubiel, Joseph. 1990–1992. “Three Essays on Milton Babbitt.” 28/2: 216–261 (Part One); 29/1: 90–122 (Part Two); 30/1: 82–131 (Part Three). ———. 1997. “What’s the Use of the Twelve-Tone System?” 35/2: 33–51. Forte, Allen. 1972. “Sets and Nonsets in Schoenberg’s Atonal Music.” 11/1: 43–64. Guck, Marion A., Fred E. Maus, and Benjamin Boretz. 2005–2006. “July 29, 1989: A Talk with Ben (About Writing Meta-Variations and Other Things).” 43/2–44/1: 346–377. Hanninen, Dora A. 1997. “On Association, Realization, and Form in Richard Swift’s Things of August.” 35/1: 61–114. ———. 2002. “Understanding Stefan Wolpe’s Musical Forms.” 40/2: 8–66. ———. 2006. “‘What is about, is also of, also is’: Words, Musical Organization, and Boretz’s Language ,as a music, ‘Thesis’.” 47/1: 5–68. History of Perspectives 249 ———. 2009. “Species Concepts in Biology and Perspectives on Association in Music Analysis.” 47/1: 5–68. Harbison, John, and Eleanor Cory. 1973. “Martin Boykan: String Quartet (1967): Two Views.” 11/2: 204–209. Henry, Martin. 1977. “Modes of Explanation in Analytical Discourse.” 15/2: 174–193. Hermann, Richard. 2004. “Charlie Parker’s Solo to ‘Ornithology’: Facets of Counterpoint, Analysis, and Pedagogy.” 42/2: 222–262. Hicks, Michael. 1989. “Exorcism and Epiphany: Luciano Berio’s Nones.” 27/2: 252–68. Johnson, Tom. 2011. “Tiling in My Music.” 49/2: 9–22. Kassler, Michael. 1967. “Toward a Theory That is the Twelve-NoteClass System.” 5/2: 1–80. Keiler, Allan. 1979. “The Empiricist Illusion...