The Dickens Checklist

Primary Sources

Dickens, Charles. Sketches by Boz. Edited by Paul Schlicke and David Hewitt, Oxford UP, 2020. The Oxford Edition of Charles Dickens.

Secondary Sources: Biography and Criticism

Álvarez Castaño, Emilio José, and Concepción Gutiérrez Blesa. "La Figura del guía en A Christmas Carol de Dickens y 'Fantasía' de Pardo Bazán." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 33, 2020, pp. 123–41.

Andrews, Malcolm. "Laughter and Conviviality." Victorian Comedy and Laughter: Conviviality, Jokes and Dissent, edited by Louise Lee, Palgrave Macmillan, 2020, pp. 37–47. [PP, DS]

Badinjki, Taher. "Dickens's Nonconformist Treatment of Stained Women in David Copperfield." Ars Aeterna, vol. 12, no. 1, June 2020, pp. 72–87, doi.org/10.2478/aa-2020-0006.

Beehler, Brianna. "The Doll's Gift: Ventriloquizing Bleak House." Nineteenth-Century Literature, vol. 75, no. 1, June 2020, pp. 24–49.

Benziman, Galia. "Dickens, Hard Times, and the Erasure of Female Origins." Journal of Narrative Theory, vol. 50, no. 2, Summer 2020, pp. 179–207.

Bowen, John. "Charles Dickens and the Gothic." The Cambridge History of the Gothic, vol. 2: Gothic in the Nineteenth Century, edited by Dale Townshend and Angela Wright, Cambridge UP, 2020, pp. 246–64.

Boxall, Peter. The Prosthetic Imagination: A History of the Novel as Artificial Life. Cambridge UP, 2020. [4.2: "The Dyer's Hand: Narrative and Biomaterial in Dickens and Eliot"]

Buckmaster, Jonathan. "Brutal Buffoonery and Clown Atrocity: Dickens's Pantomime Violence." Victorian Comedy and Laughter: Conviviality, Jokes and Dissent, edited by Louise Lee, Palgrave Macmillan, 2020, pp. 49–74.

Cubeta, Germana. Dickens and Italy in "Pictures from Italy." Palgrave Macmillan, 2020.

Dickens Quarterly, vol. 37, no. 3, Sept. 2020. [Dominic Rainsford, "From the Editor," pp. 221–22; "William F. Long, 'I am grateful, and wish to show it': Charles Dickens and Fake News," pp. 223–37; David L. Gold, "Ghost Meanings Created by Dictionaries: The Case of Dickens's Use of the Word theatricals," pp. 238–48; Lydia Craig, "What Charles Dickens Never Said: Verifying Internet 'Quotes' and Accessing the Works with Online Resources," pp. 249–63; Richard Bonfiglio, "Sentimental Transport and Stoic Sacrifice in A Tale of Two Cities," pp. 264–84; Lillian Nayder, review of Dickens and the Stenographic Mind, by Hugo Bowles, pp. 285–89; Ushashi Dasgupta, review of Dickensian Affects: Charles Dickens and Feelings of Precarity, by Joshua Gooch, pp. 289–92; Catherine Waters, review of Contested Liberalisms: Martineau, Dickens and the Victorian Press, by Iain Crawford, pp. 293–95; Pete Orford, review of Collaborative Dickens: Authorship and Victorian Christmas Periodicals, by Melisa Klimaszewski, pp. 296–98; Robert L. Patten, review of The Commodification of Identity in Victorian Narrative: Autobiography, Sensation, and the Literary Marketplace, by Sean Grass, pp. 298–302; Elly McCausland, review of Plagiarizing the Victorian Novel: Imitation, Parody, Aftertext, by Adam Abraham, pp. 302–05; David Paroissien, review of Charles Dickens's Last Case: Edwin Drood and the Curious Incident of the Unasked Question, by A. J. Pointon, pp. 306–07; Dominic Rainsford, "The Dickens Checklist," pp. 311–19.]

Dickens Studies Annual, vol. 51, no. 2, 2020. [Alex Feldman, "A 'Prentice-Knight in Days of Yore': The Culture and Drama of Apprenticeship in Dickens's Barnaby Rudge," pp. 223–51; Susan Cook, "Barnaby Rudge, True Crime Style," pp. 252–71; Adam Abraham, "The History of Barnaby Rudge and the Culture of Imitation," pp. 272–88; Mark M. Hennelly Jr., "Looking Two Ways": A Pivotal Paragraph in Bleak House and Esther's Missing Self-Reflection," pp. 289–313; Abigail Arnold, "The Trouble with Tattycoram: Emotional Labor and the Dependent Woman in Little Dorrit," pp. 314–38; Jacob Kurt Nielsen, "'Yup, So-Jeer': Interlanguage and Ruptured Translation in Charles Dickens and Wilkie Collins's The Perils of Certain English Prisoners," pp. 339–61; Aaron Worth, "The Squid and the Lentil: A-Hundred-and-Fifty Years under the Sea," pp. 362–74; Shari Hodges Holt, "Dickens 'was dead: to begin with': Charles Dickens's Ghostly Afterlife in Neo-Victorian Narratives," pp. 375–410.]

The Dickensian, vol. 116, part 2, no. 511, Summer 2020. [Malcolm Andrews, "From the Editor," pp. 107–08; Malcolm Andrews, "'A...