Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
Left: Sudarto, the anti-hero, is always depicted in semi-darkness. Right: Adam, the head of the Siliwangi Division, is always depicted in high-key lighting. Stills from Darah dan Doa, 1950.