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  • Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
  • Umi Lestari
Figure 11. Left: Sudarto, the anti-hero, is always depicted in semi-darkness. Right: Adam, the head of the Siliwangi Division, is always depicted in high-key lighting. Stills from Darah dan Doa, 1950.
Figure 11.

Left: Sudarto, the anti-hero, is always depicted in semi-darkness. Right: Adam, the head of the Siliwangi Division, is always depicted in high-key lighting. Stills from Darah dan Doa, 1950.

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.