-
The Novel’s Promise: George Eliot’s Skepticism
- Studies in the Novel
- Johns Hopkins University Press
- Volume 52, Number 3, Fall 2020
- pp. 269-287
- 10.1353/sdn.2020.0040
- Article
- Additional Information
- Purchase/rental options available:
Abstract:
In contrast to standard accounts of George Eliot and nineteenth-century intellectual culture, I argue that Eliot makes a case for the novel, over science or philosophy, as the most promising intellectual paradigm. In Middlemarch, Eliot directs an anti-dogmatic skepticism—one that I argue is distinctively novelistic—toward empiricism, the dominant epistemology in nineteenth-century Britain. She embeds the empirical association of visual experience and knowledge in a complex plot of desire and marriage, reputation and ruin, demonstrating the dangers of dogmatic empiricism for ordinary lives. In its place, Eliot formulates a new, skeptical mode of visuality that encompasses and exceeds the epistemological affordances of sight. By interpolating a constructive skepticism within novelistic form—and showing that it is inseparable from that form—Eliot makes her case for the novel’s unique intellectual promise. I argue, finally, that Eliot’s skepticism both anticipates and complicates Stanley Cavell’s concept of “acknowledgement.”