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  • Contributors to this Issue

Richard Bonfiglio is Associate Professor of English Literature at Sogang University in Seoul, South Korea. He teaches Victorian literature and culture, and his current research interests include cosmopolitanism, travel, masculinity, and the Italian Risorgimento. His articles have appeared in Modern Philology, Victorian Literature and Culture, and Victorians: A Journal of Culture and Literature.

Lydia Craig is a PhD candidate in the Nineteenth-Century Studies program at Loyola University Chicago, writing a dissertation on the fraught depiction of social upstarts in early Victorian novels. Currently she serves as co-chair of the Dickens Society communications committee. She has published recent articles on digital media and textual studies in Dickens Quarterly, Victorians Journal, and in the collection Dickens and Women ReObserved (Edward Everett Root Publishers, 2020).

Ushashi Dasgupta is the Jonathan and Julia Aisbitt Fellow in English at Pembroke College, University of Oxford. Her first book, Charles Dickens and the Properties of Fiction: The Lodger World (Oxford UP, 2020), explores Dickens's representations of tenancy.

David L. Gold studied linguistics, philology, translation, and simultaneous interpretation, earned a doctorate in Romance philology at the University of Barcelona, and in 1990 left teaching to devote as much time as possible to research and publishing. Regarding Dickens, he has disproven many of the etymologies suggested for the name Fagin and reported a misprint perpetuated in all editions of "Seven Dials" since 1839. He is now examining the possibility that Dickens gives us the so far earliest-known example of rhyming slang.

William F. Long is Emeritus Professor in Biochemistry at the University of Aberdeen. He has published numerous articles for The Dickensian and Dickens Quarterly and contributed to the Oxford Readers' Companion to Dickens. [End Page 219]

Elly McCausland is Senior Lecturer at the University of Oslo, where she teaches British and American literature. She has published on medievalism, children's literature, adaptation and imperial romance, and is the author of Malory's Magic Book: King Arthur and the Child, 1862–1980 (Boydell & Brewer, 2019). She is also Online Editor for the Journal of Victorian Culture.

Lillian Nayder is Professor of English at Bates College and teaches courses on nineteenth-century British fiction. Her books include Wilkie Collins (1997), Unequal Partners: Charles Dickens, Wilkie Collins and Victorian Authorship (2002), and The Other Dickens: A Life of Catherine Hogarth (2011). In 2016, she guest curated the exhibit "Discovering Catherine" at the Charles Dickens Museum. She is writing a group biography of the novelist and his three brothers.

Pete Orford is Course Director of the MA in Charles Dickens Studies by Research at the University of Buckingham, and Academic Associate of the Charles Dickens Museum, London. He is the author of The Mystery of Edwin Drood: Charles Dickens' Unfinished Novel and Our Endless Attempts to End It, and creator of www.droodinquiry.com. He is currently editing Pictures for Italy for OUP and preparing a new Dickens biography for the Blackwell Literary Lives series.

David Paroissien is Emeritus Professor of English at the University of Massachusetts, Amherst and Professorial Research Fellow at the University of Buckingham.

Robert L. Patten is Senior Research Scholar at the Institute of English Studies, School of Advanced Study, University of London, and a Corresponding Fellow of the English Association, though he mainly works from home in Richardson, Texas. His most recent book studies academic publishing in the 1970s: Behind the Scenes: Publishing about Dickens in Hard Times (Edward Everett Root Publishers, 2020).

Catherine Waters is Professor of Victorian Literature and Print Culture at the University of Kent. She is the author of Dickens and the Politics of the Family (Cambridge UP, 1997), Commodity Culture in Dickens's Household Words: The Social Life of Goods (Ashgate, 2008) and Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886 (Palgrave, 2019), and co-editor of The Oxford Handbook of Charles Dickens with Robert L. Patten and John O. Jordan (Oxford UP, 2018). [End Page 220]

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