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  • [ Dark Matter ]
  • Carl Marcum (bio)

The flat blackof the cast ironpan, the pull offlame. Not the iron,its ferromagneticbirth drawn deepcore of earth;not the earthbut her elements.Not the pan,but the pig iron,the bituminous ash.Not the ingot, butthe sand, the moldto mass; not the loadbut the scour, the meldthe eutectic; notthe molten, but the alloythe liquid tug of massto mass; not the castbut the pan, the greytuned to blackpatina of lipids—fat of animal,of olive, of livingaccumulation [End Page 127] of use. Not theflame, but thejet, not the jetbut the burning.Not the flamebut the light;the wavelengthblued—of red.Not the spikebut the interval.What's between,what's missing;to be there andnot there; to beOakland; to beand not to be.The evidence,the gravitationallens, the curvature;postulated, hypotheticalquestion, rotationalspeed of galaxies,anisotropic apostrophe,signed and signified.A hunch, a heft:a cast iron pancuring on the stove,a mundane matter,dark and certain. [End Page 128]

Carl Marcum

Carl Marcum is the author of Cue Lazarus, and the forthcoming A Camera Obscura, winner of the Letras Latinas/Red Hen Poetry Prize, slated for publication in 2021. He received his MFA from the University of Arizona and was a Wallace Stegner Fellow at Stanford University. He has been a recipient of fellowships from the National Endowment for the Arts and The Illinois Arts Council and served as a Canto Mundo Fellow. He taught for several years at DePaul University in Chicago and now lives in Pittsburgh.

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