In lieu of an abstract, here is a brief excerpt of the content:

  • Aesthetic Strategies of Trance-gression:The Politics of Bodily Scenes of Ecstasy - CORRIGENDUM
  • Sabine Huschka

https://doi.org/10.1017/S0149767719000202, Published online by Cambridge University Press: 14 August 2019

In Sabine Huschka's article in DRJ 51(2), "Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy" (Huschka 2019), the reference for the term "Tanztheologie" on page 9 was accidentally lost during the translation of the article from German to English prior to the submission to the journal. The term stems from the work of Alexander Schwan (2009) as follows:

Schwan, Alexander H. 2009. "Expression, Ekstase, Spiritualität. Paul Tillichs Theologie der Kunst und Mary Wigmans Absoluter Tanz." In tanz bewegung & Spiritualität, edited by Dagmar Ellen Fischer and Thomas Hecht, 214–226. Frankfurt a. M., Germany: Henschel Verlag. [End Page 109]

Sabine Huschka
University of North Carolina at Charlotte

References

Huschka, Sabine. "Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy." Dance Research Journal 51 (2): 4–17.

Google Scholar

Schwan, Alexander H. 2009. "Expression, Ekstase, Spiritualität. Paul Tillichs Theologie der Kunst und Mary Wigmans Absoluter Tanz." In tanz bewegung &Spiritualität, edited by Dagmar Ellen Fischer and Thomas Hecht, 214–226. Frankfurt a. M., Germany: Henschel Verlag.

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