Notes on Contributors

Notes On Contributors Jon Mee is Professor of Eighteenth and Nineteenth Century Literature and Print Cultures at the University of Warwick. He has written nu­ merous articles and several books on the Romantic period. His most recent book is Conversable Worlds: Literature, Contention, and Commu­ nity 1762—1830 (Oxford, 2011). He is currently directing a Leverhulme Trust funded project called “Networks of Improvement: Literary Clubs and Societies 1760—1840.” Dustin D. Stewart, a Ph.D. candidate at the University of Texas at Austin, studies British literature, religion, and culture from Milton to early Romanticism. His articles appear in the Journalfor EighteenthCentury Studies, Texas Studies in Literature and Language, and Women’s Writing; and his dissertation examines poetic and theological futures in the Restoration and eighteenth century. James Mulvihill teaches courses on English Romanticism at the University of Alberta in Edmonton, Alberta, Canada. He recently published Notorious Facts: Publicity in Romantic England, 1780—1830 (Delaware, 20x1). Anahid Nersessian is Assistant Professor ofEnglish and Compara­ tive Literature at Columbia University. Her work includes studies of Romantic poetry and prose fiction, and of topics in political and aes­ thetic philosophy. She is currently completing a book-length manu­ script called “The Political Romance: Love and Liberal Modernity,” and has begun work on a second project provisionally entitled “The Calamity Form,” which gives a history ofliterary realism in relation to the collective experience of ecological crisis or catastrophe. Peter T. Murphy is Professor ofEnglish and Dean of the Faculty at Williams College. Gerard Cohen-Vrignaud is Assistant Professor ofEnglish at the University ofTennessee. He is completing a book entitled Abominable Agency: Radical Orientalism and the Illiberal Imaginary. Alison Hickey is Associate Professor of English at Wellesley Col­ lege. She is currently at work on a book whose provisional title is “Romantic Networks: Coleridge and Co. and the Web ofWriting. ” 727 728 NOTES ON CONTRIBUTORS James O’Rourke is Professor of English at Florida State University. He is the author of Keats’s Odes and Contemporary Criticism (UP Flor­ ida, 1996), Sex, Lies and Autobiography (UP Virginia, 2006), and Retheorizing Shakespeare (Routledge, 2012). Tim Milnes is Senior Lecturer in English Literature at the University of Edinburgh. He has published widely on romantic literature and philosophy and is the author ofKnowledge and Indifference in English Ro­ mantic Prose (Cambridge, 2003), William Wordsworth: The Prelude (Palgrave , 2009) and The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge (Cambridge, 2010). He is the co-editor, with Kerry Sinanan, of Romanticism, Sincerity, and Authenticity (Palgrave , 2010) and a consulting editor for the journal Hazlitt Studies. He is currently working on a monograph entitled “Radical Empiricism: Intersubjectivity from Hume to Hazlitt.” ...