Notes on Contributors
Buy Issue for $25 at JHUP- Notes on Contributors
Candice Amich is an Assistant Professor of English at Vanderbilt University. Her research and teaching interests include Latino/a and Latin American literatures and performance, feminist theory, and globalization studies. She is co-editor, with Elin Diamond and Denise Varney, of Performance, Feminism and Affect in Neoliberal Times (Palgrave, 2017). Her articles have appeared in Modern Drama, Theatre Research International, and The Global South.
John Clement Ball is professor and chair of the department of English at the University of New Brunswick in Fredericton. He is the author of two books, including Imagining London: Postcolonial Fiction and the Transnational Metropolis (University of Toronto Press, 2004). He edited Twentieth-Century World Fiction, volume 3 of The Encyclopedia of Twentieth-Century Fiction (Wiley-Blackwell, 2011) and was editor or co-editor of Studies in Canadian Literature for seventeen years. His most recently published article is "Capital Offenses: Public Discourse on Satire after Charlie Hebdo," which appeared in Genre (2017).
Katherine Bullock received her Ph.D. in political science from the University of Toronto, where she is currently a lecturer. Her teaching focus is political Islam from a global perspective, and her research focuses on Muslims in Canada, their history, contemporary lived experiences, and political and civic engagement. Her research also includes debates on the veil and media representations of Islam and Muslims.
Leilei Chen is an instructor, writer, and translator. She is the author of Re-Orienting China: Travel Writing and Cross-cultural Understanding (University of Regina Press, 2016), which was nominated for the Robert Kroetsch City of Edmonton Book Prize and the Wilfrid Eggelston Award for Non-fiction in 2017. She translated Steven Grosby's Nationalism: A Very Short Introduction and published its Chinese version with Yilin Press in China in 2017. She also writes creative nonfiction and is working on the Chinese version of Re-Orienting China to be published by East China Normal University Press in Shanghai in 2019. She teaches English literature, Writing Studies, Chinese-English translation, and travel writing at the University of Alberta and MacEwan University.
Bo G. Ekelund is Associate Professor in the English Department at Stockholm University. His research has dealt with US fiction after 1940, both at the level of individual authors and sociological studies of access to authorship. Recent projects have focused on citation studies, the field of translation in Sweden, and spatiality in Anglophone Caribbean fiction.
Ellen J. Goldner is an Associate Professor in the English Department at the College of Staten Island, of the City University of New York, where she teaches courses in US literature(s), and Women's, Gender, and Sexuality Studies. She has co-edited, with Safyia Henderson-Homes, Racing and (E) Racing Language: Living with the Color of Our Words (Syracuse UP, 2001). She has also published numerous essays in journals including MELUS, Literature/Film Quarterly, the Journal of American and Comparative Cultures, Studies in American Fiction, Women's Studies, and the Arizona Quarterly.
Vanessa Guignery is Professor of Contemporary English Literature and Postcolonial Literature at the École Normale Supérieure in Lyon. Her monographs include Jonathan Coe (Palgrave Macmillan, 2015), Seeing and Being: Ben Okri's The Famished Road (PUF, 2012), Ceci n'est pas une fiction. Les romans vrais de B.S. Johnson (Sorbonne UP, 2009) and The Fiction of Julian Barnes (Palgrave Macmillan, 2006). She is the editor of about fifteen books on contemporary literature in English, including a collection of essays, co-edited with Christian Gutleben, on Crossing the River by Caryl Phillips for the scholarly journal CYCNOS (2016). Website: www.vanes-saguignery.com
David Hadar is a Minerva postdoctoral fellow at the John F. Kennedy Institute for North American Studies, Free University Berlin. He received his Ph.D. from the Hebrew University of Jerusalem in 2015. His work has appeared or is forthcoming in American Imago, Studies in American Jewish Literature, a/b: a/b: Auto/Biography Studies, and Studies in Canadian Literature. He is currently working on a book project in the field of American Jewish literature.
Omaar Hena is an Associate Professor of English at Wake Forest University, where he teaches courses in modern and contemporary poetry in English, postcolonial literature, and global literary studies. His...
