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  • Frankenstein and the politics of vulnerability
  • Sara Wasson (bio)

‘I am an unfortunate and deserted creature … I have no relation or friend upon earth’ (Shelley 90). At the heart of Frankenstein lies the Creature’s imploring cry for connection. The novel offers a passionate condemnation of individual ambition and neglect of a person dependent on oneself. Framed in that way, the book can be read as reinforcing a binary between dependency and agency. Yet from another perspective, the book can be read as complicating that very binary in ways that are of increasing interest to disability studies, political theory and feminist theory. Such rethinking is politically urgent, both to reduce current stigmatisation and state neglect (Fineman; Satz; Kittay) and to support creative strategies of resistance that move beyond paternalism (Butler; Butler, Gambetti and Sabsay). Two hundred years after it was first published, Frankenstein can be read as constructing a complex picture of vulnerability as simultaneously ontological and situated, both intrinsic to embodiment and induced by specific social relations.

Approaching Frankenstein from the perspective of feminist ethics of care (Gilligan; Noddings), a reader rightly notes the pathos of the Creature’s abandonment and Victor’s profound transgression in failing to meet his duties of care. Yet these approaches still risk entrenching an active/passive division between those configured as vulnerable or dependent, and those who care [End Page 173] (Shildrick 76–7). On the one hand, it is necessary to recognise that dependency and vulnerability are universal, in order for necessary reform to state support and maladaptive environments (Fineman; Kafer; Satz; Kittay). All humans are dependent on food, shelter, infrastructure and social connection, and are vulnerable to material, social and environmental threat. On the other hand, it is also true that certain groups are rendered more vulnerable than others by, for example, structural violence. Rather than seeing vulnerability as simply universal, or simply a property of certain groups, it is more accurate to think of all agency as enabled by particular dependencies. This insight is emerging within numerous fields, including new materialisms (Bennett), disability studies’ political-relational models (Kafer) and retheorisations of resistance (Butler). The ability to act emerges within networks of force, discourse, social networks and materials inorganic and organic.

Throughout Frankenstein’s nested narrations, we repeatedly see vulnerability understood in relational and contingent terms. Victor is repeatedly reduced to profound helplessness, dependent on Walton and Clerval for rescue and care. Yet unlike the Creature, Victor has an apparatus of support, both social and economic. Furthermore, the Creature is interdependent (Fine and Glendinning), in that he in turn repeatedly helps the de Lacey family. Finally, it has been traditional to see the Creature’s vulnerability as an embodiment of pathos. Yet we can also frame his defiant central speech in terms of bravery and the potential for transformative action, vulnerability enabling resistance (Butler, Gambetti and Sabsay 7). In his wounds, his yearning and his acute knowledge of the indispensability of interrelationship, the Creature confirms vulnerability as both inevitable and relational.

Sara Wasson
Lancaster University
Sara Wasson

Sara Wasson (Lancaster University) works on critical medical humanities in a Gothic mode and Second World War Gothic. Her book Urban Gothic of the Second World War (2010) examines how period writing in the Gothic mode subverts the dominant national narratives of the British home front. It won the Allan Lloyd Smith Memorial Prize from the International Gothic Association and was shortlisted for the ESSE Award for Cultural Studies in English. She co-edited the collection Gothic Science Fiction, 1980–2010 (2014), guest edited a special issue of Gothic Studies on medical Gothic and her essays have appeared in journals such as Extrapolation and the Journal of Popular Culture. Her current monograph-in-progress is a shadow cultural history of transplantation Gothic, in literature and film, and she is primary investigator on an AHRC-funded project examining literary representations of chronic pain.

Works cited

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke UP, 2010.
Butler, Judith. ‘Rethinking Vulnerability and Resistance’. Vulnerability in Resistance. Ed. Judith Butler, Zeynep Gambetti and Leticia Sabsay. Durham: Duke UP, 2016. 12–27.
Butler, Judith, Zeynep Gambetti and Leticia Sabsay. ‘Introduction’. Vulnerability in...

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