- The Possum in His Fashion
There's the mechanical about him, lumbering through vineand palmetto (yard salad, you might call it) by midnight, in high
beams, off guard, as if wearing a possum suit—that can'tbe right, though the pink tail, fake as a rubber snake,
must have been store-bought and stitched on. Hobbes could have seen himfor what he is—nasty, brutish, and long. What profits the man—
or the possum (night stalker, pencil- eraser-nosed, "whitedog" to the Algonquin)—who finds home everywhere and welcome nowhere;
whose diet, could it be named that, does not care to distinguishbetween roadkill and the avocado, and who has been discovered
dining heartily on run-over relatives, though whether he cantell his own mother from week-old ground beef may yet be doubted;
whose Comfort Inn may be located atop palm tree or under shotgun shack; [End Page 245] and whose fur, entirely awn hair, beats sable or mink
cold, or warm (his bridal-white teeth familiar to the thespianas a "packed house")? Yet no matter what nonsense theologians spout,
the possum, though thoroughly investigated by Hardshell Baptistand four-eyed scientist alike, has never been shown to possess a soul. [End Page 246]
WILLIAM LOGAN's most recent book of poems was Rift of Light (2017). His book of long essays on familiar poems, Dickinson's Nerves, Frost's Woods (Columbia University Press), will be published this spring.