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Reviewed by:
  • Fractured Land, the Price of Inheriting Oil by Lisa Westberg Peters, and: Natives of a Dry Place: Stories of Dakota Before the Oil Boom by Richard Edwards
  • William Caraher
Lisa Westberg Peters, Fractured Land, the Price of Inheriting Oil. St. Paul: Minnesota Historical Society Press, 2014. 240 pp. $17.95;
Richard Edwards, Natives of a Dry Place: Stories of Dakota Before the Oil Boom. Pierre: South Dakota State Historical Society Press, 2015. 198 pp. $16.95.

Even as the oil boom in western North Dakota has entered a protracted lull, the publishing of oil related books has continued to boom. Lisa Peters’s Fractured Land: The Price of Inheriting Oil and Richard Edwards’ Natives of a Dry Place: Stories of Dakota Before the Boom represent two fine, recent contributions to the literature on North Dakota before and during the [End Page 68] Bakken boom. Both books come from authors who have spent most of their lives outside North Dakota, but have reconnected with their roots in the Northern Plains during the expansion of oil related activity in the region.

Peters’s father grew up near Williston, and her grandfather, whose homestead failed north of Williston, found ways later in life to invest shrewdly (and presciently) in property and mineral rights on the Nesson anticline. Her father, who became an engineer at 3M, earned some modest income over his life from these rights and used them to build a cabin on the scenic St. Croix River in Wisconsin. Ironically, the author’s time on this river as a child and adult inspired her own environmentalism, and it is this environmentalism that motivated her personal journey through the Bakken, through the complexities of oil production, and the process of fracking. The book starts with her trip to visit her dying father who retired to Florida and concludes with her spreading of his ashes near an oil well on her family’s land. In between, she visits a fracking sand mine in a sensitive ecology in Wisconsin, has a frank conversation with a fracking engineer, visits a working drill rig, and shares coffee with a local farmer who has no sympathy for the oil industry. Her journey is personal, and she does little to hide her deeply conflict attitudes between the practical reality of our chemical-infused world, and the environmental risks of oil, the ethical questions associated with fracking, and the difficult history of the semi-arid northern plains.

Richard Edwards left Stanley, North Dakota, when he was twelve. Today, Stanley sits on the eastern side of the Bakken oil patch and is home to pipeline terminals, units yards, and oil field workers. The Stanley of Edwards’s youth, was sleepier and less prosperous, but populated with a cast of characters who would be comfortable in a Mark Twain novel. Edwards’ book begins with a description of the conflicts between those who benefited and those who have suffered during the boom in contemporary Stanley. He then explores the Stanley of his youth borrowing freely from his family’s memories, photographs, and documents to tell eight stories arranged around a series of themes: resoluteness, steadfastness, devotion to community, pluck, commitment, dauntless optimism, spirit of adventure, and modesty. At first, these stories read like home-spun wisdom, but this belies their complexity. Edwards stories show that societies “usually get what they celebrate.” His tale of commitment, for example, tells how his aunt’s husband left his wife of twenty years to reunite with his teenage love. He demonstrates resoluteness in a story about the recovery of Tom Scrivner’s body from a dry well that becomes a murder mystery. However resolute town folks were in [End Page 69] finding Scrivener’s body did not extend to finding his murderer. The subtle contradictions in these stories reveal the tensions within even the most conspicuous small-town values. By the end of the book, boom-time Stanley is somehow less different from Stanley before the boom, and more a natural extension of a society’s values.

The landscape and experience of the Bakken Oil Boom is distinctly uncanny. It is at once familiar. After all, the characters if Peters and Edwards book are people...

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