- Three Poems
The Princess Casamassima / Figurative Versions of Exclusion
Precisely because a distance identical to itself necessarilyintervenes consciousness ass- umes an attitude with regardto the body that penetrates it to live it this way or that way
thereby our joys, our joy. Ye are not straitened in me butin your own bowels as my body without a soul is a carcass somy soul is a chaos a heap of faculties without your spirit
a heap feeling given over to itself unable to refuse let alonerefine what was given or run away or otherwise escaping itscontent handing itself over to itself.
The Ambassadors / Rothko Chapel
My boy blue holds out thesehands to show the world we'dbroken is different from the onewe made I am being eaten alive amaroon throbbing to deeper [End Page 533] indigo an arc keeping us fromand in ourselves a clearing inthe heart of which as Boscovichor Mabel Mercer writes thepossibility of nerves re-growingwhere nerves were needed.
The Wings of the Dove / Bardo
Small urn of emptiness I fol-lowed the warmth of alary rus-tling ink ball oak a koan's infre-quent boulders and morainesfrom what was left of slip-shoddimity selvage a glitch in augurywhere pines give way to sky'sidle nesting dolls short-circuitingNovember a single cold compos-ite sheet of what was left of allthe resinous hearts towed to har-bor all of which (including mine)went black a temple in atramentas though the moon picked outa pickerel nearing its own palespeculation what you thought be-ing thought from the cold blackgreen. [End Page 534]
michael d. snediker is author of Queer Optimism: Lyric Personhood and Other Felicitous Persuasions (2009; an MLA First Book finalist) and The Apartment of Tragic Appliances (2013; a Lambda finalist in poetry) and is finishing a book of essays called Contingent Figure: Aesthetic Duress from Ralph Waldo Emerson to Eve Kosofsky Sedgwick. He has been the beneficiary of residencies at Yaddo and the James Merrill House and is associate professor of American literature and poetics at the University of Houston.