Contributor
- Contributors
Susan Bazargan is Professor Emerita of English at Eastern Illinois University and a research librarian at DePaul University in Chicago. Her article is part of a larger project, "Reading Bloom Reading: A Study of Leopold Bloom's Library." She is also working on a digital version of Bloom's library.
Kent Emerson completed his Ph.D. in 2016 and is the former Book Review Editor of the James Joyce Quarterly and Project Manager of the Modernist Journals Project. He is currently working on a book manuscript tying modernist aesthetics and print culture to information technology of the twentieth century and the digital age.
Richard J. Gerber, with his wife, Margy, is a collectible book dealer, specializing in Joyce, Virginia Woolf, W. B. Yeats, and other modernist writers.
Younghee Kho received her Ph.D. from the University of Tulsa in 2013 and is currently a lecturer at Korea University. She has published several articles in Korean journals, including "Humans in the Food Economy: the Famine, Biopower." Her study of the post-colonial State in Beckett's Watt is forthcoming in English Studies. She is currently writing an article about the intertextual presence of Dickens in Joyce's works.
Jūratė Levina is a researcher and lecturer at Vilnius University, Lithuania, where she specializes in the phenomenology of literature and modernist aesthetics. She holds a Ph.D. in English from the University of York. Her publications include articles on T. S. Eliot, Virginia Woolf, and John [End Page 273] Banville, Lithuanian translations of theoretical papers by Michael Riffaterre, Umberto Eco, and Raymond Williams, and Stephen Greenblatt's biography of Shakespeare, Will in the World. Currently, she is editing A. J. Greimas's Lithuanian manuscripts and translating his biography by Thomas F. Broden.
Tasha Lewis is an artist currently living and working just outside New York City. Her diverse practice includes work on paper inspired by Joyce's Ulysses, various series of mixed-media sculptures, and a global ephemeral street art project, "Swarm the World."
Susan Mooney is Associate Professor of Comparative Literature at the University of South Florida and the author of Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth-Century Novel (Ohio State University Press, 2008).
Thomas O'Grady is Professor of English, Director of Irish Studies, and a member of the Creative Writing faculty at the University of Massachusetts, Boston. He has written on a wide variety of Irish authors, including Joyce, William Carleton, Patrick Kavanagh, Flann O'Brien, and Seamus Heaney. His articles and essays on Irish literary and cultural matters have been published in scholarly journals on both sides of the Atlantic, including Éire-Ireland, James Joyce Quarterly, Études Irlandaises, Irish University Review, New Hibernia, Studies: An Irish Quarterly Review, The Irish Review, and The Canadian Journal of Irish Studies.
So Onose is a final year Ph.D. student at University College Dublin. His dissertation looks at the historical and political contexts of Ulysses. He has published articles and reviews in various journals, including the Dublin James Joyce Journal and European Joyce Studies.
Mark Osteen, Professor of English and Director of the Center for the Humanities at Loyola University Maryland, has published widely on modern literature, film, disability, and music. Among the ten books he has written or edited are The Economy of Ulysses: Making Both Ends Meet (1995), Autism and Representation (2008), Nightmare Alley: Film Noir and the American Dream (2013), and a memoir, One of Us: A Family's Life with Autism (2010). His current projects include an edited essay collection on [End Page 274] the Beatles' White Album, forthcoming from the University of Michigan Press in 2018, and a book about art and literary forgeries.
Tristan Power is a lecturer in Classics at Columbia University. He has published a number of articles on Classics and English in leading journals, and is also the co-editor (with Roy K. Gibson) of Suetonius the Biographer: Studies in Roman Lives (Oxford: Oxford University Press, 2014). [End Page 275]
