Notes on Contributors
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Sonia Hernández-Santano is Tenured Senior Lecturer in the English Department at the University of Huelva (Spain), where she teaches English literature. She has published a modernised critical edition of William Webbe's A Discourse of English Poetry (1586) (MHRA, 2016), as part of the Modern Humanities Research Association's 'Critical Texts' series. The edition is a result of her participation in the 'English Poetic and Rhetorical Treatises in the Tudor Period' (2011–14) research project, sponsored by the Spanish Ministry of Economy. The influence of Latin poetics and rhetoric on Elizabethan literary composition and on Humanist approaches to poetry is one of her main fields of research.
Michael Hetherington teaches early modern literature at St John's College, Oxford. His research interests lie mainly in early modern poetics and its wider philosophical and cultural contexts, with a special focus on humanist logic. He has published articles and book chapters on William Scott, Edmund Spenser, and George Gascoigne; forthcoming work includes articles on Abraham Fraunce and on the concept of form in early modern poetics. He is currently completing a monograph on sixteenth-century ideas about literary unity and textual coherence.
Zenón Luis-Martínez is Senior Lecturer of English Studies at the University of Huelva (Spain), where he teaches medieval and early modern literature. He has edited Abraham Fraunce's 'The Shepherds' Logic' and Other Dialectical Writings (MHRA, 2016), for the Modern Humanities Research Association's 'Critical Texts' series, and is the author of In Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy (Rodopi, 2002). He has published articles and book chapters on English Renaissance and Restoration literature, and co-edited several essay collections, among them (with Luis María Gómez Canseco), Between Shakespeare and Cervantes: Trails along the Renaissance (Juan de la Cuesta, 2006). [End Page 249]
Sarah Knight is Professor of Renaissance Literature in the School of Arts at the University of Leicester. She has published widely on sixteenth- and seventeenth-century English and Latin literature, particularly works written at or about early modern institutions of learning, such as schools, universities, and Inns of Court. She is the editor and translator of several Latin works, including Leon Battista Alberti's prose satire of the 1440s, Momus (Harvard University Press, 2003), and the accounts of Elizabeth I's visits to the University of Oxford (1566 and 1592) for a new five-volume, critical edition of John Nichols's Progresses and Public Processions of Queen Elizabeth I, eds Elizabeth Goldring and others (Oxford University Press, 2014). She is currently working on an edition and translation of John Milton's Prolusions, and an edition of Fulke Greville's plays Alaham and Mustapha.
Manuel J. Gómez Lara is Senior Lecturer of English Studies at the University of Seville (Spain). His teaching and research activities are connected with early English drama and various forms of baroque civic performance. He has co-edited numerous Restoration plays, including, among others, Thomas Shadwell's The Virtuoso (Universidad de Sevilla, 1997), and Epsom Wells (Universidad de Sevilla, 2000), and Thomas Durfey's The Marriage Hater Matched (Edicions Universitat Barcelona, 2014). He is currently Director of a research project engaged in the completion of a database and four-volume catalogue for Teneo Press on English Restoration Comedy (1660–1706), the first issue of which appeared in 2014.
Rocío G. Sumillera is Assistant Professor in the English and German Department of the University of Granada. Her research focuses on translation in the early modern period and early modern rhetoric and poetics. Her most recent publications include, co-edited with Miles MacLeod, Jan Surman, and Ekaterina Smirnova, Language as a Scientific Tool: Shaping Scientific Language across Time and National Traditions (Routledge, 2016); the edition and translation into Spanish, with José Luis Martínez-Dueñas, of John Knox's The First Blast of the Trumpet against the Monstrous Regiment of Women (1558), published as El Primer Toque de la Trompeta Contra el Monstruoso Gobierno de las Mujeres (Tirant lo Blanch, 2016); and the critical edition, Richard Carew, The Examination of Mens Wits (MHRA, 2014). [End Page 250]
Cinta Zunino-Garrido is Associate Professor in the Department of English...
