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  • In the Mirror, and: Demonstration
  • Chanda Feldman (bio)

In the Mirror

Mornings my father wiped a circle clean in the mirror steam,a towel wrapped around his waist, his face latheredwith a pale gold powder mix from his porcelain mug.

A shaving blade scraping against his jaw, then dippedin the sink. His wax kit and scissors laid out for his moustache.Some mornings, I rummaged in his closet, past the suits,

the camouflage vest—its elastic slots for rifle shells—his army jacket, a dashiki, for the checkered shirts my mother sewedfor him long ago. On the floor were his racked shoes

that I polished, the bag of toothbrushes and cotton clothsI used for buffing between the stitches of his Johnston & Murphy's.Whenever he was fitted for a suit, I accompanied him,

examined his sleeve, the subtle woven colorsin the wool's weave as my father stood in the trifold mirror,its infinite reflections of him. I wore his old ties

with ankle-length skirts and combat boots. I watchedas he wrapped a half Windsor knot and slipped itover my head, cinched it closed at my neck. After school,

I stacked cordwood beside him in the yard, workedthe weed whacker, the chain saw, and he let me sipfrom his double shot of Jack. Chamber music on the stereo,

we'd grill in the backyard, sit through dusk's mosquitoes,fireflies, June bugs, and moths. I didn't know my ownstrength, my father said to convince me my hands [End Page 386]

were as good as his—that time passing me the garden hoeto cut a chicken snake sprawled on the warm floorof our garage—that I was the best son or daughter he could have. [End Page 387]

Demonstration

At the county extension service in the old downtown,I spent after-school hours in my mother's office—the green-glass building next to the city farmers' market

held in the parking lot each week—the entrance linedwith dark-stained oak cabinets, quartsof tomatoes, the perfectly suspended fruit-flesh

in red liquid. Men holding Chinese food cartonsof soil, like purses, from their gardens and farms.The soil needing to be fixed, the levels adjusted,

they'd puzzle over results laid out like blueprints.My mother, a home economics agent, workingupstairs in the demonstration hall and kitchen,

the double-burner stove tops, the steaming silver pots.In her hairnet, a lab coat over her blazer andsatin blouse. I sat in the chairs for the audience

with my homework until she called me upto the platform to dip pH sticks to read the acidcontents. I'd slip the skin off peaches, level tablespoons

of salt for brines. My mother taught meeach step: the maceration, the strawberry-rhubarbslurry heating to frothing, the sugar thermometer

rising to the gelling temperature of precisely 220degrees. My mother pouring the fruit into scalded jars,the room billowing with sweetness. [End Page 388]

Chanda Feldman

chanda feldman is the author of Approaching the Fields, forthcoming from LSU Press in spring 2018. Her poems have appeared in The Cincinnati Review and VQR. She is the recipient of a Fall 2016 Promise Award from the Sustainable Arts Foundation.

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