Abstract

Abstract:

This essay uses the case study of the digital game Play the Knave to unpack the historical and theoretical value of declamatory acting to Shakespeare performance. Analysis of the game as a digital object and observations of people playing it when installed in Shakespeare theaters and arts venues reveal continuities between the material practices of acting in Shakespeare’s day and our own, as players adopt a declamatory style of gesture when they play. We maintain that much as the declamatory style functioned in the early modern period as a sign of and a means for amateur performance, so this style can facilitate and mediate communal, collaborative Shakespeare theater today, helping to develop among a wide public new pleasures and competencies in Shakespeare performance.

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Additional Information

ISSN
1538-3555
Print ISSN
0037-3222
Pages
pp. 408-430
Launched on MUSE
2017-06-26
Open Access
No
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