Contributors

Contributors LESLIE HOWARD MARTIN, Associate Professor of English at the University of Notre Dame, recently was represented in Comparative Drama by an article on the Chester play (Fall 1971). Other pieces by Professor Martin dealing with Restoration drama appear in Philological Quarterly and Studies in Philology. MICHAEL R. KELLEY teaches in the areas of medieval litera­ ture and linguistics at George Mason College of the Uni­ versity of Virginia, Fairfax, where he is an assistant professor of English. He served as executive producer of Time for English, an instructional television series soon available on a nationwide basis. ALFRED SCHWARZ is Professor of English at Wayne State University. His volume of translations, Hugo von Hofmanns­ thal: Three Plays, was published in 1966. He also has written widely on drama and dramatic theory. FREDERICK E. DANKER, an assistant professor of English at Boston State College, has published studies on American folklore and medieval literature in a variety of journals. Cur­ rently he is working on the history plays of Tirso de Molina and on the plays of Thomas Middleton. W. NICHOLAS KNIGHT, who teaches at Wesleyan University, currently is Fellow at the Wesleyan Center for the Humani­ ties. His announcement of the seventh Shakespeare signature appeared in 1971, while earlier studies of his on Renaissance law and drama have been published in several periodicals. D. HEYWARD BROCK serves as Assistant Dean of the Col­ lege of Arts and Science at the University of Delaware, as well as Assistant Professor of English. His chief research and teaching interests are Renaissance literature, American let­ ters, and comparative studies. JAMES M. WELSH teaches English at Salisbury State College. He is an associate editor of Literature/Film Quarterly, a new journal to commence publication later this year. Professor Welsh also has published studies on Shakespeare and on filmic versions of literary writing. ...