Contributors

Contributors MARY ANN FRESE WITT currently teaches at Boston Uni­ versity. She has previously published in La revue des lettres modernes and Comparative Literature, and has written thea­ ter reviews for the weekly Boston After Dark. S. K. LAND, a graduate of Magdalene College, Cambridge who is completing his Ph.D. at the University of Toronto, will be Assistant Professor of English at the University of Virginia next fall. MARDI VALGEMAE, associate professor of English at Herbert H. Lehman College, The City University of New York, is the author of several articles on modem drama and of a book, Accelerated Grimace: Experessionism in the American Drama of the 1920’s, to be published next year by the South­ ern Illinois University Press. MERLE FIFIELD, who has previously published in Compara­ tive Drama on the staging of medieval drama, is the author of a monograph, The Castle in the Circle, and several articles on medieval literature. Another monograph, Theoretical Approaches to Metrical Variety in Chaucer’s Prosody, is scheduled for early publication. EDWIN HAMBLET is the author of a book on the Montreal theater, Marcel Dube and French-Canadian Drama (1970). He is coordinator of the French program at the Plattsburgh campus of the State University of New York. ...