Abstract

Well-known for his writing on Happenings, performance art, and avantgarde theatre, Michael Kirby also produced a series of highly notable photo-sculptures. Developed in conjunction with the theoretical concept of "situational aesthetics," these "embedded sculptures" were conceived of as "visual instruments" that explored the relationship of space, time, context, and beholder.

pdf

Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 105-116
Launched on MUSE
2017-06-08
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.