Since his death in 1804, Alexander Hamilton has appeared in American culture in many forms. Post-Civil War nationalist, Progressive-era pro-active statesman, Cold War capitalist hero: Hamilton has been all of these things and more. But he has never been what Broadway's Hamilton has made him: an American folk hero. Given Hamilton's active distrust of democracy, it's a surprising and unlikely role, but in the troublous times of twenty-first century America it has real power, presenting Americans with a glory-filled Founding myth and a heroic advocate of the American Way. This Great Man view of the Founding is problematic in many ways. But as historically inaccurate as it is, Broadway's Hamilton has much to offer, restoring a sense of contingency to what is all too often seen as an inevitable success story, humanizing historical figures in a way that brings the past to life, and inviting people to analyze the nation's Founding myths anew.


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pp. 255-262
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