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Figure 4. This relational map is based on William Dollar’s pseudonymous account of American Ballet Caravan’s South American tour, “Old Granny Spreads Goodwill.” Here, lines trace the associations that he reported American Ballet Caravan dancers made between the places in which they were and places elsewhere in the world. This map makes visible how previous tour cities become new points of reference. See (Source: Dataset by Kate Elswit; map by Kate Elswit and Eric Andrew Sherman.)
Figure 4.

This relational map is based on William Dollar’s pseudonymous account of American Ballet Caravan’s South American tour, “Old Granny Spreads Goodwill.” Here, lines trace the associations that he reported American Ballet Caravan dancers made between the places in which they were and places elsewhere in the world. This map makes visible how previous tour cities become new points of reference. See http://www.kateelswit.org/moving-bodies-moving-culture.leafletmap/#2/32.1/-15.5 (Source: Dataset by Kate Elswit; map by Kate Elswit and Eric Andrew Sherman.)

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