In lieu of an abstract, here is a brief excerpt of the content:

  • Books Received
Alford, Terry. Fortune’s Fool: The Life of John Wilkes Booth. Oxford: Oxford University Press, 2015.
Barnett, David. A History of the Berliner Ensemble. New York: Cambridge University Press, 2015.
Bial, Henry. Playing God: The Bible on the Broadway Stage. Ann Arbor: University of Michigan Press, 2015.
Bianchini, Natka. Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director. New York: Palgrave, 2015.
Bryer, Jackson R. and Mary C. Hartig, eds. William Inge: Essays and Reminiscences on the Plays and the Man. Jefferson, NC: McFarland & Co., 2014.
Camp, Pannill. The First Frame: Theatre Space in Enlightenment France. Cambridge: Cambridge University Press, 2014.
Duckett, Victoria. Seeing Sarah Bernhardt: Performance and Silent Film. Urbana: University of Illinois Press, 2015.
Erdman, Harley, and Susan Paun de García, eds. Remaking the Comedia: Spanish Classical Theater in Adaptation. Cornwall, UK: Tamesis, 2015.
Farabee, Darlene, Mark Netzloff, and Bradley D. Ryner, eds. Early Modern Drama in Performance: Essays in Honor of Lois Potter. Newark: University of Delaware Press, 2015.
Kim, Ju Yon. The Racial Mundane: Asian American Performance and the Embodied Everyday. New York: New York University Press, 2015.
Mazer, Cary M. Double Shakespeares: Emotional-Realist Acting and Contemporary Performance. Madison: Fairleigh Dickinson University Press, 2015.
Monrós-Gaspar, Laura. Victorian Classical Burlesques: A Critical Anthology. New York: Bloomsbury, 2015. [End Page 375]
Nicholson, Steve. The Censorship of British Drama, 1900–1968. Volume Four: The Sixties. Exeter, UK: University of Exeter Press, 2015.
Osborne, Elizabeth A., and Christine Woodworth, eds. Working in the Wings: New Perspectives on Theatre History and Labor. Carbondale: Southern Illinois University Press, 2015.
Pérez, Hiram. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire. New York: New York University Press, 2015.
Peschel, Lisa, ed. Performing Captivity, Performing Escape: Cabarets and Plays from the Terezin/Theresienstadt Ghetto. London: Seagull Books, 2014.
Sauter, Willmar, and David Wiles, eds. The Theatre of Drottingholm—Then and Now: Performance between the 18th and 21st Centuries. Stockholm: Stockholm University, 2014.
Schmitt, Natalie Crohn. Befriending the Commedia dell’ Arte of Flaminio Scala: The Comic Scenarios. Toronto: University of Toronto Press, 2014.
Simon, Linda. The Greatest Shows on Earth: A History of the Circus. London: Reaktion, 2014.
Vey, Shauna. Childhood and the Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors. Carbondale: Southern Illinois University Press, 2015.
Watermeier, Daniel J. American Tragedian: The Life of Edwin Booth. Columbia: University of Missouri Press, 2015.
Weintraub, Stanley. Bernard Shaw before His First Play: The Embryo Playwright. Saline, MI: ELT Press, 2015.
White, Ann Folino. Plowed Under: Food Policy Protests and Performance in New Deal America. Bloomington: Indiana University Press, 2015.
White, Timothy R. Blue Collar Broadway: The Craft and Industry of American Theatre. Philadelphia: University of Pennsylvania Press, 2015.
Williams, Simon, ed. The Cambridge Encyclopedia of Stage Actors and Acting. Cambridge: Cambridge University Press, 2015. [End Page 376]


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pp. 375-376
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