- Three Poems
Brewer’s Dictionary of Phrase and Fable, 1894
Dumps. To be in the dumps. Out of spirits. According to etymological fable, it is derived from Dumops, King of Egypt, who built a pyramid and died of melancholy.
A friend, a lover,a whisper of a child,wouldn’t fall as smoothlyas the leaveswhich lofted down like feathers.And my poems,air-filled urns,loaves without yeast.
But you charmed mewith your Dead Sea fruit— full of promise but without reality,your dead weight— the weight of something without life,your deaths from strange causes— Zeuxis, the great painter, dead of laughter at sight of a hag he had just depicted,
your assurancesthat good losseslinger with a sweetness, [End Page 285] the odor of sanctity— there is a certain truth in the phrase.
Commemorating Venus
April.Gainesville.A flight of fabled
P. nearctica. Lovebugslocals call them. Smugoblivious pairs who shrug
off their hoststo drift—now a fence,a post—then back to hosts.
Why do you insistdangling off my wriston flaunting your unseemliness?
Your outfit’s not vermilionor mandarin or evenpeacock-eyed viridian
but plain blackwith a red-beaded neckso why do you have all the luck?
Just beyond my tableon the plaza in front of Kesl’sConey Island Dog Cafe, the “people’s poet” shills
his poems.The hippies mill outside the Hippodromeand everywhere, like air—no, wind—the buggy pheromones. [End Page 286]
In Cyprusafter I left you on the busheading up to Mount Olympus
I sat outside a cafeate a terrific kebob and drank a fragrant coffee.There was a guide, showing her assembly
the stonemarking Aphrodite’s birth from the foam.Another legendary meal, like Paris—l’Ambroisie—alone.
Sunset.Folks walk away with the people’s pamphlets.Overhead, soon to come, Mars and Venus, the usual planets.
Regarding the Boar
I have thought good to set downe here a little treatyse of the hunting at the Wilde Bore
—George Turbevile
When Philo construed your aggression as “shameless, insolent,unjustly injurious,” when Magnus mangled“singularis ferus,” the Wild One as some would say, they ignored your home, a masterpiece ofhouse construction: the clipped long grassesmatted, raised to form a canopy as if,
after a night of root-upheaving, you desired quietin your bower, for solitary wallowingunder herbaceous cover, safe in a pie earth-encrusted on all sides, like the potato [End Page 287] before harvesting, before your snoutand John Deere self-cleaning plow-like tusks furrowed
it out for disposal. The Irish were most fortunate, forthere you were “small, misshapen, wary,” though no lessbarbarous. Still, your cloven hoof must have left a definite devil’s print, a mark as tenderas a bruise, and the fading odorof man’s chasing failures. To think disaster,
a crop aborted, a kennel slain, might have been preventedis to forget that men have sundry opinionsregarding boars and “love to hunt such chases aboute their dwelling places.” Turbevile goes on:a boar will kill your hounds at leisure,and if one survives through flight, its spirit’s ruined. [End Page 288]
Molly Tamarkin has published poems in a number of literary magazines, including Poetry, New England Review, and Gulf Coast. She directs the library at the King Abdullah University of Science and Technology in Saudi Arabia.