Holographic Portraiture of Humans, Plants and Ghosts in Belgium

The author describes his efforts to bring holography and its artistic applications out of the realm of mystery or curiosity. Three areas of the author’s involvement are treated: first, how holographic portraits were successfully made in situ during a convention (it is believed that this was a world’s first); second, how holograms of simple vegetal objects, viewable under normal lighting conditions, are being used to bring holography to a larger audience; finally, how collaboration between technicians and artists can lead to results that are satisfying and enriching for both parties.