Abstract

The author describes his new method of producing tusche-like washes on lithographic stones or plates. The use of dry copier toners allows for unlimited reworking of the surface with no fear of filling-in of the image. Removal of unsatisfactory work can be accomplished with a damp sponge, with no ghost appearing in the printed edition. Airbrushing and other difficult techniques can be used with none of the inherent problems of grease-based tusche.

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