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Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century
- Leonardo Music Journal
- The MIT Press
- Volume 9, 1999
- pp. 19-22
- Article
- Additional Information
How does a piece of computer network music reflect the virtual economy of the late twentieth century? Was the “open-form” music of the 1960s a bedfellow of organizational science? The author conjectures about the nature of distributed composition and the socioeconomic implications of its application in a composition for networked credit card readers.