Contributors
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william callison is a doctoral candidate in political science with a designated emphasis in critical theory at the University of California, Berkeley.
michael mark cohen teaches American studies and African American studies at the University of California, Berkeley. He is currently completing a book titled The Conspiracy of Capital. His work has been published in Radical History Review, Gawker.com, and the Independent (UK).
jason de stefano is a graduate student in English at the University of California, Berkeley.
stephen dillon is assistant professor of queer studies in the School of Critical Social Inquiry at Hampshire College. His research on race, sexuality, feminism, and incarceration has appeared in Radical History Review, Women and Performance: A Journal of Feminist Theory, and the edited collection Captive Genders: Trans Embodiment and the Prison Industrial Complex.
peter galison is Pellegrino University Professor of the History of Science and of Physics at Harvard University. In 1997 he was awarded a John D. and Catherine T. MacArthur Foundation Fellowship. His book Image and Logic (1997) won a 1998 Pfizer [End Page 229] Award as the best book that year in the history of science, and in 1999 he received the Max Planck and Humboldt Stiftung Prize. His other books include How Experiments End (1987), Einstein’s Clocks, Poincaré’s Maps (2003), and Objectivity (with Lorraine J. Daston, 2007). Galison has worked extensively with declassified material in his studies of physics in the Cold War. His film on the moral-political debates over the hydrogen bomb, Ultimate Weapon: The H-Bomb Dilemma (with Pamela Hogan, 2000), has been shown frequently on the History Channel and is widely used in courses. With Robb Moss, he directed Secrecy (2008), which premiered at Sundance, and, also with Moss, is directing Containment (2008), which is about the need to guard radioactive materials for the future. Recently, Galison has collaborated with South African artist William Kentridge on a multi-screen installation, The Refusal of Time (2012).
anne gräfe is a research assistant and academic coordinator of the guest professorship “Pensées Françaises Contemporaines” between the European-University Viadrina in Frankfurt Oder and the Pantheon-Sorbonne in Paris. She completed her master’s degree in the Aesthetics Literature Philosophy program at the European-University Viadrina with Andreas Reckwitz, Andrea Allerkamp, and Melanie Sehgal. She also studied within the designated emphasis in critical theory at the University of California, Berkeley, and is now working on her dissertation project about the force of boredom as an artistic counterstrategy to neoliberal society with Juliane Rebentisch at the Hochschule für Gestaltung in Offenbach. Her teaching and her research focus concern a redefinition of aesthetic theory as critical theory including affect theory.
daniel hendrickson works as a translator in Berlin.
tara hottman is a doctoral candidate in German with designated emphases in film and media and critical theory at the University of California, Berkeley. [End Page 230]
marianne kaletzky is a doctoral candidate in comparative literature at the University of California, Berkeley.
leigh raiford is associate professor of African American studies at the University of California, Berkeley. She is the author of Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle (2011).
juliane rebentisch is professor of philosophy and aesthetics at the University of Arts and Design in Offenbach/Main and council member of the Frankfurt Institute of Social Research. Her main research areas are aesthetics, ethics, and political philosophy. Publications include Ästhetik der Installation (2003), Aesthetics of Installation Art (2012), Kreation und Depression: Freiheit im gegenwärtigen Kapitalismus (coedited with Ch. Menke, 2010), Die Kunst der Freiheit: Zur Dialektik demokratischer Existenz (2012; English translation forthcoming from Polity), and Theorien der Gegenwartskunst zur Einführung (2013). She is a coeditor of WestEnd: Neue Zeitschrift für Sozialforschung.
tom roach is associate professor of literary and cultural studies and coordinator of the Women, Gender, and Sexuality Studies Program at Bryant University. He is the author of Friendship as a Way of Life: Foucault, aids, and the Politics of Shared Estrangement (2012), which explores the political significance of queer relational practices. He has also written a handful of articles and reviews, most recently “Cruel Queer Optimism” (2013).
martin saar is professor of political...
