Abstract

Victorian-era photographs of Indian women in the West Indies advertized their beauty and their prosperity. Almost always, the women depicted are laden with silver and gold, their bodies showcases for jewelry from “the East.” The text accompanying the postcards reflects a preoccupation with how these women looked, especially with their jewelry and the wealth that it suggested. But the irony of the word “coolie”—conventionally used to refer to manual laborers on the Indian subcontinent—being juxtaposed with such riches was clearly lost on the caption writers. In these plantation societies on the verge of becoming tourist paradises, the word had acquired a new meaning—as ethnic slur.

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