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  • Notes on Contributors

Charlotte Charteris is Leverhulme Early Career Fellow in English Literature and Queer Cultures at the Faculty of English, University of Cambridge, where she is engaged in a major research project on sexuality, concepts of queerness, and the literature of espionage and detection from the fin-de-siècle to 1945.

Grace Egan is a DPhil candidate at Wolfson College, Oxford. She conducts research into eighteenth century correspondence and the representation of speech.

Florian Gargaillo is a PhD candidate at Boston University.

Ryan Hibbet is an Instructor of English at Northern Illinois University. His research explores the relationship between high art and popular culture in poetry as well as music. His articles have appeared in Literature and Theology, Contemporary Literature, Twentieth-Century Literature, Popular Music and Society, and the Journal of Popular Music Studies, and he has published poems in Atlanta Review, Willow Springs, Spoon River Poetry Review, Potomac Review, and LIT.

Andre van Loon is a literary critic specialising in new literary fiction and biography. He holds a Masters in English Literature & Russian Studies from the University of Edinburgh and lives in London.

Phil Robins is currently completing a doctoral thesis on late medieval English drama at Trinity Hall, Cambridge. He has a PhD on Samuel Beckett from University College London (1996).

Austen Saunders has just completed a PhD at Cambridge on early modern book history. His most recent publications include articles on the Elizabethan radicals Henry Arthington and William Hackett.

Tom Walker is the Ussher Lecturer in Irish Writing at Trinity College Dublin. He is finishing a book on Louis MacNeice. [End Page i]

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