In lieu of an abstract, here is a brief excerpt of the content:

  • Forthcoming
  • • Erika Balsom, The Making of a Market: How Film and Video Became Art Objects

  • • Mary Beltrán, Fast and Bilingual: Fast & Furious and the Latinization of Hollywood Racelessness

  • • Michael Harris, Jazzing in the Tokyo Slum: Music, Influence, and Censorship in Akira Kurosawa’s Drunken Angel

  • • David Martin-Jones, Uruguay Disappears: Small Cinemas, Control Z Films, and the Politics of Auto-Erasure

  • • Michael Slowik, Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong, 1927–1933

  • • In Focus and Book Reviews: SCMS Women’s Caucus [End Page 190]

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