In lieu of an abstract, here is a brief excerpt of the content:

  • Index to Volume 64

Brower, Sue. Rev. of Reclaiming the Archive: Feminism and Film History, by Vicki Callahan. 64.3 (Fall 2012): 69–71.

Chapman, Sara. “Guerilla Television in the Digital Age.” 64.1–2 (Spring/Summer 2012): 42–50.

Coffman, Elizabeth. “Introduction.” 64.1–2 (Spring/Summer 2012): 3–4.

Coffman, Elizabeth. “‘VT Is Not TV’: The Raindance Reunion in the Digital Age.” 64.1–2 (Spring/Summer 2012): 65–71.

Cohen, Thomas F. “After the New American Cinema: Shirley Clarke’s Video Work as Performance and Document.” 64.1–2 (Spring/Summer 2012): 57–64.

Dima, Vlad. “Aural Narrative Planes in Djibril Diop Mambety’s Films.” 64.3 (Fall 2012): 38–52.

Dukore, Bernard F. “Make War, Not Love: Sam Peckinpah’s Major Dundee and Cross of Iron.” 64.4 (Winter 2012): 50–56.

Edwards, Emily. Rev. of My Mind, directed by Jason Harrington. 64.3 (Fall 2012): 73–75.

Glaros, Michelle, and Michael Laffey. “Situating The Residents.” 64.1–2 (Spring/Summer 2012): 72–78.

Hamel, Keith James. “Teaching with Trailers: The Pedagogical Value of Previews for Introducing Film Analysis.” 64.4 (Winter 2012): 38–49.

Hill, Chris. “Dialogue across Decades: BLW and People’s Communication Network—Exercises in Remembering and Forgetting.” 64.1–2 (Spring/Summer 2012): 17–29.

Holden, Brett. “Subjects under Study: Broadening the Perceptions of Future Filmmakers and Film Scholars.” 64.4 (Winter 2012): 23–37.

Jancovich, Mark. “Relocating Lewton: Cultural Distinctions, Critical Reception, and the Val Lewton Horror Films.” 64.3 (Fall 2012): 21–37.

Kiwitt, Peter. “What Is Cinema in a Digital Age?: Divergent Definitions from a Production Perspective.” 64.4 (Winter 2012): 3–22.

Kusina, Jeanne Marie. Rev. of A Philosophy of Cinematic Art, by Berys Gaut. 64.3 (Fall 2012): 67–69.

Larke-Walsh, George S. “Point Your Finger and Say, ‘That’s the Bad Guy’: Performativity in Donal Mc-Intyre’s A Very British Gangster.” 64.3 (Fall 2012): 53–66.

LaRosa, Melanie. “Early Video Pioneer: An Interview with Skip Blumberg.” 64.1–2 (Spring/Summer 2012): 30–41.

Owczarski, Kimberly A. “From Austin’s Basement to Hollywood’s Back Door: The Rise of Ain’t It Cool News and Cultural Convergence.” 64.3 (Fall 2012): 3–20

Slatton, Anne. Rev. of A Complete History of American Film Criticism, by Jerry Roberts. 64.1–2 (Spring/Summer 2012): 93–95.

Susik, Abigail. “Sky Projectors, Portapaks, and Projection Bombing: The Rise of a Portable Projection Medium.” 64.3 (Spring/Summer 2012): 79–92.

Tripp, Stephanie. “From TVTV to YouTube: A Genealogy of Participatory Practices in Video.” 64.1–2 (Spring/Summer 2012): 5–16.

Vazquez, Laura. Rev of “Lost Child?: Wherever You Are Is Where Here Is,” directed by Gregory F. Ruzzin. 64.3 (Fall 2012): 72–73.

Weinberg, Tom. “Media Burn: What’s in a Name?” 64.1–2 (Spring/Summer 2012): 51–56. [End Page 57]



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