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  • Notes on Contributors

Kristin Bluemel is Professor of English at Monmouth University, where she holds the Wayne D. McMurray Chair in Humanities. She edits the journal The Space Between: Literature and Culture, 1914-1945.

Rowan Boyson is a Junior Research Fellow at King's College, Cambridge. Her research interests include Romantic poetry, literary and critical theory, the history of science, and theories of affect and emotion.

Sean Keilen teaches Shakespeare at the College of William and Mary. He is the author of Vulgar Eloquence: On the Renaissance Invention of English Literature (Yale 2006) and co-editor of The Forms of Renaissance Thought: New Essays in Literature and Culture (Palgrave 2009).

Miranda Kiek recently completed a Masters degree at Oxford specialising in women's writing in the Georgian era. She is currently working as a freelance journalist and a part-time English teacher.

Francis O'Gorman is Professor of Victorian Literature at the University of Leeds. His edition of Ruskin's Praeterita is published from Oxford University Press this year.

Graham Pechey is a retired academic who now teaches English part-time and freelance in the University of Cambridge. Recent essays of his have appeared in Critical Quarterly, PN Review, Christianity and Literature, Literature and Theology and the Journal of Postcolonial Writing. His Mikhail Bakhtin: The Word in the World was published in 2007.

Sophie Read is a University Lecturer in the Faculty of English and Fellow of Christ's College, Cambridge. She has published on Lancelot Andrewes, Shakespeare and Swift; a book-length study entitled Eucharist and the Poetic Imagination in Early Modern England is forthcoming from Cambridge University Press (2013).

James Riley is Junior Research Fellow in English at Wolfson College, Cambridge. He works and publishes on Beat writing, counterculture, contemporary literature and cult cinema. He is currently working on an editorial project linked to the archives of Peter Whitehead.

Robert N. Watson is the Neikirk Professor of English at UCLA. He is the author of Jonson's Parodic Strategy and several other books on Renaissance literature, and the editor of some Jonson comedies for the New Mermaid series.

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