Abstract

Driven by the imperatives of a changing society and the pressures of new technology, China's theatre is undergoing rapid transformation. The work of two leading Shanghai actors, Shang Changrong and Shi Yihong, reveals how jingju (Beijing Opera) navigates traditional conventions and emerging market challenges, negotiating a future for the art form.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 131-151
Launched on MUSE
2012-05-17
Open Access
No
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