Color Plates
- Color Plates
Color Plate A
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No. 1. Michael Attas et al., spectroscopic image analysis of Veit Hirschvogel, the Elder, Untitled (The Holy Trinity), ink, wash, charcoal, red pigment on paper, 39.9 × 39.1 cm, 15th century. (a, top) Drawing as it appears to the eye. (b, bottom) Drawing enhanced using spectroscopic imaging and principal-components analysis to highlight differences among near-infrared spectra of materials. Charcoal lines are coded red. (Collection of the Winnipeg Art Gallery; Acquired with the S.C. Eckhardt-Gramatté Memorial Fund, [Accession # G-75-3].).
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Color Plate B
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No. 1. Steina and Woody Vasulka, still shot from the video Matrix (excerpt from R.F. Feedback), 1971.
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No. 2. Irit Batsry, Flow, video installation (detail), the Biosphere, Montreal, 2002. The artist uses multiple video projections on the screens and on the water-walls to create a "cubist" fragmentation of the moving image, allowing the viewer to see a scene from different points of view simultaneously.
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