Abstract

Despite the existence of a rich, continually growing body of scholarship on Edwidge Danticat's short-story cycle Krik? Krak!, still under-examined is the theme of flight. This article explores Danticat's development of the theme by presenting a reading of "A Wall of Fire Rising" in relation to the preceding story, "Nineteen Thirty-Seven," and also in connection with the flying Africans legend, Haitian revolutionary folklore, and twentieth-century literary representations of flight such as Alejo Carpentier's The Kingdom of This World and Toni Morrison's Song of Solomon. By engaging with these narrative traditions of flight, Danticat is able to establish key linkages across African and Haitian diasporic history, investigate new forms of bondage and entrapment, and also rethink a politics of resistance through a framework of gender.

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