Abstract

This essay traces Mary Wollstonecraft’s use of three texts by Jonathan Swift in her Vindication of the Rights of Woman (1792) to develop a mode of analysis attentive to the effects of rhetoric within conventional approaches to women’s education. Challenging the complacency of an epistemological tradition that turns women into predictable clichés, Wollstonecraft deploys a mode of impassioned rhetoric that derives its power from disrupting gendered binaries and that creates a space in which women become active readers of the language that shapes their lives.

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