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  • Notes on Contributors

Sandro Jung is Professor of Early Modern British Literature at Ghent University. His two most recent books are David Mallet, Anglo-Scot: Poetry, Politics, Patronage in the Age of Union (2008) and The Fragmentary Poetic: Eighteenth-Century Uses of an Experimental Mode (2009). He has just completed a book-length study on Thomson's The Seasons, Print Culture, and Visual Interpretation, 1730–1855.

Thomas Owens is a doctoral student at St John's College, Oxford. He is writing a thesis on the influence of nineteenth-century astronomy and mathematics on the poetry of William Wordsworth, with specific reference to William Rowan Hamilton, John Herschel, and George Biddell Airy.

David E. Shuttleton is a Senior Lecturer in the School of Critical Studies at the University of Glasgow with research interests in literature and medicine. He is the author of Smallpox and the Literary Imagination, 1660–1720 (Cambridge, 2007) and co-editor of the first two volumes of the forthcoming Cambridge Edition of the Correspondence of Samuel Richardson.

Dennis E. Rhodes, formerly Deputy Keeper of the British Museum and British Library in charge of incunabula, continues his researches mainly on Italian bibliography.

Reviewers

Rebecca Rushforth is an Anglo-Saxonist and palaeographer. Her study of Saints in English Kalendars before AD 1100 was published in 2008.

Adri K. Offenberg published the Catalogue of Books Printed in the XVth Century now in the British Library, vol. xiii: Hebraica, in 2004.

Anthony Hobson is a Historian of the Book with particular interest in Italian bookbinding 1450–1550.

Natalie Aldred recently submitted her doctoral thesis in English Literature to the University of Birmingham.

Tom Lockwood is a Senior Lecturer in English Literature at the University of Birmingham.

H. R. Woudhuysen is Dean of the Faculty of Arts and Humanities at University College, London, and was co-editor of The Oxford Companion to the Book.

Ian Campbell Ross is Professor of Eighteenth-Century Studies in the School of English, Trinity College Dublin, and co-General Editor of the Early [End Page 79] Irish Fiction, c. 1680–c. 1820 series of texts published by Four Courts Press, Dublin.

Rupert Ridgewell is Curator of Printed Music at the British Library. [End Page 80]

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