Abstract

In Nostalghia, Andrei Tarkovsky's refusal of narrative and use of long, slow takes distinguish him from Soviet realism and postmodern culture. His striking visuals provide a fresh treatment of the beautiful and create spatial-temporal correlatives to nostalgia and loss. The film contributes to suture theory, as well, and models a complex politics.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 104-122
Launched on MUSE
2011-03-10
Open Access
No
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