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BIBLIOGRAPHY OF PUBLICATIONS ON THE COMEDIA (1992-1993) Compilers: SZILVIA E. SZMUK, St. John's University, New York CORY A. REED, University ofTexas at Austin DAVID H. DARST, Florida State University, Tallahassee HALINA CZARNOCKA, Yale University Contributors: JOHN J. REYNOLDS, St. John's University, Emeritus ANN L. MACKENZIE, University ofLiverpool JOSE MARIA RUANO DE LA HAZA, University of Ottawa 321 322BCom, Vol. 45, No. 2 (Winter 1993) MISCELLANEOUS I (GENERAL) 1.Aubrun, Charles Vincent. Mémoires. Ed. S. Neumeister. Marburg: Hitzeroth, 1991. 2.Autour des parentés en Espagne aux XVIe et XVIIe siècles. Histoire, mythe et littérature. Ed. A. Redondo (40:5). Rev: CA. Soons. Ibero 36 (1992): 113-16. 3.Baasner, Frank. "Die umstrittene Klassik. Das 'Siglo de Oro' in der spanischen Literaturgeschichtsschreibung des 18. und 19. Jahrhunderts." In Klassik im Vergleich. Normativität und Historizität europäischer Klassiken. DFG-Symposion 1990. Ed. W. Vokamp. Stuttgart: J.B. Metzler, 1993. 212-31. 4.Baczynska, Beata. "La Universidad de Wroclaw en el panorama de estudios hispánicos en Polonia." BSSEH ns 41 (1992): 7-10. 5.Le bandit et son image au siècle d'Or. Ed. JA. Martínez Comeche (44:12). Rev: [a] C. Andrés. BHR 55.1 (1993): 226-29; [b] J.M. Boyden. SCJ 24.2 (1993): 448-49. 6.Barbazza, Marie-Catherine. "La part du paysan. La famille rurale en Nouvelle Castille aux seizième et dix-septième siècles." Diss. Montpellier/III, 1992. 7.Barroso, José, y Sánchez de Bustos, Joaquín. "Propuestas de transcripción para textos del XV y Siglos de Oro." In Estado actual (see no. 26). 1:161-78. 8.Baubeta, Patricia Anne Odber de. Anticlerical Satire in Medieval Portuguese Literature. Lewiston, NY: Edwin Mellen Press, 1992. [Very few references to theater.] 9.Brooks, Lynn M. The Dances ofthe Processions ofSeville Bibliography323 in Spain's Golden Age (42:20). Rev: A. Soons. Criticón 55 (1992): 168-70. 10.Brown, Jonathan, and Richard G. Mann. Spanish Paintings ofthe Fifteenth Through Nineteenth Centuries. The Collection ofthe National Gallery ofArt. [Washington, D.C] Systematic Catalogue. New York: Cambridge Univ. Press, 1990. Rev. B.N.S. Good. SCN 50.3-4 (1992): 70-71. 11.Campanini, Paola. "Bibliografia straniera." In Nascita della tragedia di poesia nei paesi europei (Vicenza 17-20 maggio, 1990). Ed. M. Chiabò and F. Doglio. Vicenza: Centro studi sul teatro medioevale e rinascimentale, 1991. 331-403. 12.Campbell, YsIa. "En torno a la historia de la literatura en Nueva Vizcaya (oralidad, visualización y textos)." In Estado actual (see no. 26). 1:209-16. 13.Capdepón Verdú, Paulino. "Maestro de la Real Capilla Madrileña (I) Sebastián Durón (1660-1716)." AIEM 30 (1991): 525-34. [Mentions music for theatrical pieces composed by Duron between 1691 and 1716.] 14.Casa, Frank P. "La responsabilidad de la belleza." LLS 1 (1988): 31-40. [Mentions El caballero de Olmedo, La estrella de Sevilla, Peribáñez, La vida es sueño, El burlador, etc.] 15.Checa, Fernando. Felipe II. Mecenas de las artes. Prólogo de Jonathan Brown. Madrid: Nerea, 1992. 16.Conflicts ofDiscourse: Spanish Literature in the Golden Age. Ed. P. Evans (43:26). Rev: G.M. Hammitt. SCN 50.3-4 (1992): 69-70. 17.Le corps comme métaphore dans l'Espagne des XVIe et XVIF siècle Ed. A. Redondo (42:29). Rev: Wm. Monter. BHR 55.2 (1993): 464-65. 18.Cultural Encounters: The Impact ofthe Inquisition in Spain and the New World. Ed. M.E. Perry and A.J. Cruz. Publications of the Center for Medieval and Renaissance Studies, UCLA, 24. Berkeley and Los Angeles: University of California Press, 1991. Rev: [a] 324BCom, Vol. 45, No. 2 (Winter 1993) A.M. Poskafonß 46.2 (1993): 380-82; [b] J. Tedeschi. SCJ 24.2 (1993): 485-87. 19.Damiani, Bruno, and Louis Imperiale. "El erotismo en la literatura del Siglo de Oro." MRRMl (1991): 23-37. [Some references to theater: El esclavo del demonio (Mira de Amescua).] 20.Davis, Elizabeth B. '"Woman, Why Weepest Thou?' Revisioning the Golden Age Magdalen." Hispania 76.1 (1993): 38-48. [Includes references to Lope's narrative poems and other non-dramatic texts...

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